<![CDATA[https://www.manilatimes.net]]> (2024)

It almost seemed like the old days. The days, that is, before Covid and Odette.

Tourists from both the Philippines and abroad pranced happily about. Food vendors and tour guides did lots of business. And in Siargao Island's municipality of Pilar, fisherfolk from around the world excitedly prepared for the 14th annual Siargao International Game Fishing Tournament held in the last weekend of April.

"I stand as witness to how this event has transformed our once-sleepy town into the game-fishing mecca of the Philippines!" declared Congressman Bingo Matugas, whose family hails from Siargao.

Setting a more somber and reflective tone, municipal Mayor Maria Liza Resurreccion expressed gratitude for the substantial turnout, which included actor-turned-senator Manuel "Lito" Lapid, an honored guest.

"We're all steamed up," she said. "I'm happy that most of our anglers have returned. Every tournament is a challenge, and we've been through so much..."

If anything, that was a monumental understatement. Not just for Pilar but for all of Siargao Island, a teardrop-shaped gem-of-a-landmass just off Mindanao's northeastern coast. For its recent history, indeed, has been pocked by sharp and unexpected turns, capable of inflicting mental whiplash.

In the beginning, there was only the sand. The first time I saw it was the day my future wife and father-in-law took me to gaze upon their little piece of the most pristine beach I'd ever laid eyes on. Like a flowing white blanket, it cloaked the land uninterrupted for what seemed like a thousand miles.

"Wow," I said, unable to contain the enthusiasm of a land-starved Californian, "where are your boundaries?" He shrugged, nodded to the north and, with a sweep of his hand, indicated the distant horizon.

"And on the other side?" I wondered. He turned and repeated the nonchalant sweeping gesture in the opposite direction. And, just like that, the scene was etched indelibly into my brain, and I was in love, not only with a woman but with the paradise whence she'd come.

That was 18 years ago.a Today, the beach is barely recognizable, pierced by the concrete ruins of lavatories, pavilions and steps. The area is transected by a once-impenetrable stone wall, now reduced to rubble. And every morning, busloads of tourists arrive, eager to pay the P60 admission fee for the privilege of distributing the rest of their cash among the dozens of merchants nearby.

And what of the parcel that was my father-in-law's pride? In recent years, his seemingly boundless piece of property has been targeted in three disputes dividing neighbors, families, and friends. And that, in a nutshell, is the Siargao Island story.

Fully appreciating it requires some knowledge of the island's history. Siargao's earliest inhabitants were probably Moros, seafaring Muslims who cared little for the land. When the Spaniards arrived in the early 16th century, they claimed everything for the Church. Three centuries later, new American conquerors introduced something that had been popularized in the American West; homesteading, a process by which native Filipinos could claim almost anything in sight. Thus, when my father-in-law pointed to the horizons as his boundaries, he might well have been unconsciously evoking the not-too-distant past.

Then the surfers came, and everything changed.

It happened in the early 1980s when golden-haired youngsters from America and Australia discovered what many considered the most awesome waves ever right off the town of General Luna at a place now called Cloud 9. In 1988, the infamous American surfer Mike Boyum showed up and the rest, as they say, is legend.

Besides possessing world-class surfing skills, Boyum was an alleged drug dealer said to have stolen millions. He is believed to have spent about a year in Siargao hiding out under an assumed name. Then, according to local lore, he died in a hut on the beach after undergoing a 44-day cleansing fast ostensibly to atone for his sins.

A few years later, one of Boyum's friends — famous surf photographer John Callahan — led an expedition to Siargao, including well-known surfers Evan Slater and Taylor Knox, both from California. They chronicled their adventure in a 1992 spread for Southern California-based "Surfer" magazine, and — voila! — a new, dreamy, if still somewhat obscure, destination was born.

One of the more enthusiastic consumers of that article was a young Australian surfer named Gerry Dugan. "I read about this magical, mystical place," he told me years later. "So I came here, and it was fantastic. The surf was great. There weren't too many surfers, and we had to almost cut our way through the jungle to get to the beach."

Eventually, Dugan helped create the Siargao International Surfing Cup, an annual tournament that put the place on every surfer's map. But it took what some describe as a "perfect storm" to bestow the world-class status it now enjoys on the island. That didn't happen until three stunning events transpired, all in just 10 months.

First, a hit romantic comedy set on the island and bearing its name opened in Manila on Christmas Day, 2017. Then, "Condé Nast Traveler" magazine named Siargao the best island destination in Asia, following up a year later by declaring it the best in the world.

Finally, and perhaps most significantly, then-President Rodrigo Duterte ordered Boracay, the country's reigning tourist mecca, closed for six months to deal with overflowing sewage and other environmental concerns.

The results were immediate and astounding. Nearly 200,000 foreign and domestic tourists — many of them diverted from Boracay — visited Siargao in 2018, a 50.7 percent increase from the year before. The 2019 figures were even higher, causing travel bloggers and other media to loudly proclaim the good news. And so, seemingly overnight, the tiny island became a travel destination that had, well, truly arrived.

But there was a cost. While the tourists created jobs and brought in lots of cash, the price of food and other essentials increased significantly. People once employed as farmers and fishermen suddenly became tour guides. And a largely Catholic island steeped in traditional conservative values now had to contend with an influx of bikini-clad foreigners.

By far the most dramatic impact, however, was on island property. In General Luna, farmland worth about P600 per square meter suddenly jumped to nearly 10 times that amount. And a square meter of prime beach property, once worth P29,000 pesos, now sold for nearly P86,000.

And so the land disputes began. In just one year, a clerk said, the average number of cases per month at the General Luna courthouse more than doubled — from 10 to 26 — nearly all involving relatives fighting over land. "Some are crying," he said, "and others are mad."

"It's split the family," complained one islander, Cresenciana Orejas, then 67, whose relatives sued her for selling two hectares of coco land to a foreign developer for 19 million pesos.

It was more money than she'd ever seen, making her a charter member of Siargao's growing class of instant millionaires. For a while, all went well. She divided a portion of it among her six children, renovated the family home, lent some to friends, put some in the bank, and even purchased more coco land at a lower price to maintain the family's income.

Then, a cartel of relatives showed up, claiming that the property had been unfairly divided 40 years earlier, and they each owned a share. Sitting on the front porch of her tiny house, looking older than her years, Orejas trembled as her eyes brimmed with tears. "It's so upsetting that I can't even sleep," she admitted. "I've even started drinking at night."

But then, just when conditions on the island seemed to have arrived at a point of no return, along came the Covid pandemic, followed closely by Typhoon Odette. For two years, the country closed its borders, bringing Siargao tourism to an utter halt. Tour guides stowed their buses and returned to subsistence farming and fishing. And yet, though earning money became difficult, many residents felt buoyed by the rejuvenating effects on the environment.

"The water was as crystal clear as I'd ever seen it," this columnist wrote following a visit in 2020. "Just beneath the surface, a swarm of green fish scurried about while scads of purple crabs crawled past each other on the rocks overhead. But the telltale sign was the smell; instead of sunscreen, the tide pools exuded the natural odor of, yes, the teeming reef that God had intended."

And yet, the accolades were premature. Arriving virtually in the shadows of the pandemic, a Category 5 Super Typhoon called Odette made landfall in 2021, devastating billions of pesos worth of property, blowing away thousands of coconut trees, seriously damaging the local airport, and costing two islanders their lives.

And that's when Siargao's second miracle began taking shape.

Within a year, the island community had come together to recover and reclaim. The iconic Cloud Nine Pier, destroyed by the storm, was reimagined and rebuilt. Everywhere, buildings were reconstructed and fields replanted — until 2023, when Siargao's resurrection seemed almost complete.

That year saw an astounding 324 percent growth in tourism, with almost 530,000 arrivals compared to a little over 125,000 the year before. Of those, nearly 54,000 were foreign travelers, an unprecedented increase of more than 511 percent. The numbers far surpassed pre-pandemic tourism levels.

And yet a note of caution permeated Pilar Mayor Resurreccion's assessment at the recent international game fishing tournament.

"I'm feeling very protective," she said in an interview with The Sunday Times Magazine during the event. "I'm glad that people are making money again, but I'm worried about the long-term effects."

Among her concerns, she said, are potential damages to the island's culture, economy, and environment.

"I want the younger generation to enjoy what we enjoyed when we were young," the Mayor said.

Which takes me back to that long-ago day on my father-in-law's expanse of sand. For just as the sand was there at the beginning, so shall it remain 'til the end. In the final analysis, the sand doesn't care who owns it or how many tourists it hosts. Because it is stronger than all of us, with a will of its own.

"It's a very daunting challenge requiring lots of political will," the Mayor said of her efforts to protect and preserve. "We don't have any other island to go home to, so we have to protect what we have."

To which I say, amen, let's write that in the sand.

Robby Goco is aware that lamb meat is a niche protein in the Philippines.

"The common misconception about lamb is that it's maagno or gamey. But I guess that's because the available lamb meat in the Philippines use to be very tough, very gamey, and nobody knew how to cook them," Goco said in a media roundtable.

But as a big fan of the flavorful, low-fat and high nutritional value meat, Goco was determined to make lamb a mainstream option for Filipinos.

"The nice thing about lamb is it's very delicate, it has a sweet, caramel flavor. I pushed for lamb meat because I enjoy cooking and eating it.

"My family loves it too. My daughter's first protein was lamb because I read that it's high in Omega 2, which is great for brain development and she's top of her class. My wife, a fitness guru, eats lamb every day," the chef shared.

Goco was among the first restaurateurs to use lamb outside of five-star hotels. In his popular casual Greek restaurant, Cyma Greek Taverna, Lamb Keftedes (Greek meatball), Grilled Lamb and Watermelon Salad, and the traditional Lamb Youvetsi became favorites for diners.

His passion for lamb did not go unnoticed to Meat and Livestock Australia (MLA) which had been searching for the Philippines' first "Lambassador."

The Lambassador program is a global project that identifies influential food professionals who are passionate about cooking with Australian lamb.

The program began in Japan in 2015 and has now grown to a community of over 50 food professionals worldwide.

So far, Lambassadors have been appointed in Indonesia, China, Jordan, and the Middle East and North Africa (Mena) region.

MLA appointed Goco as the first Lambassador for the Philippines with a mission to elevate awareness and appreciation for Australian lamb within the Filipino gastronomic landscape.

Acclaimed for his culinary expertise and innovative restaurant concepts including Souv! by Cyma and Cyma Greek Taverna, chef Goco brings a wealth of experience and passion to his new role.

"I am truly honored and excited to embark on this journey. The Australian lamb is renowned for its exceptional quality and flavor, and I look forward to showcasing its versatility in my restaurants and beyond. Through culinary collaborations and creative initiatives, I hope to inspire a newfound appreciation for Australian lamb while celebrating the diverse flavors of both Australia and the Philippines," Goco shared.

As part of his appointment, Goco visited Australia in late 2023 and joined other lambassadors in a week of paddock-to-plate experience. On the trip, he engaged with chefs, restaurateurs, and food enthusiasts and was further exposed to the versatility, flavor, and sustainability of Australian lamb.

From this trip, Goco is further highlighting lamb into his menu by offering new dishes to his restaurant including, 8-hour Roast Lamb (Goco's signature slow-roasted lamb shoulder), Paidakia Lamb Ribs Verjus (charcoal-grilled Sous Vide lamb ribs with verjus glaze), Low and Slow Lamb Stew (Greek stifado-style with grape molasses, carrots and whole shallots), and Country-style Fried Lamb (tender breaded lamb loin chops).

Moving forward, Goco will collaborate closely with MLA and Australian lamb producers and importers to highlight the premium quality and sustainability practices that define Australian lamb production.

"We are thrilled to appoint Robby Goco as the Philippines' Lambassador, promoting Australian lamb across the Philippines. Chef Robby's passion for culinary innovation and dedication to quality perfectly aligns with our commitment to delivering premium Australian lamb to consumers worldwide," Spencer Whitaker, Market Development Manager for the Asia Pacific MLA, finally said.

For more information about chef Goco and his culinary ventures, visit cymarestaurants.Com/about/ and follow him on social media. For updates and insights on Australian lamb, visit Meat and Livestock Australia's website and https://lambassadors.com/lambassadors.

Spotted in cities across Nueva Ecija and Pampanga, Edna's Cakeland is a sweet spot, a place where the smell freshly baked bread and the sight of beautifully decorated cakes evoke a sense of warmth and nostalgia.

With a rich history that spans 29 years, this family-owned bakery has the recipe to success – one that includes quality, tradition and a sprinkle of innovation.

Anna Gonzales, CEO and daughter of the founders Edna and Herminio Gonzales detailed how the business began in 1996.

"It started at the kitchen of our home, in Kapitan Pepe Subdivision, Cabanatuan City. It started as my mom's hobby when she was still a bank manager."

The transition from hobby to business wasn't without its challenges. "Before, it used to be just my mom and dad and an assistant for my mom. She had to bake until midnight at the start to provide all the orders and have freshly baked breads in the morning."

"Their dedication in their business was what made it last this long," she added.

Growing up surrounded by the sweet scents of a bakery left a lasting impression on Anna. As such, it comes as no surprise that Annafollowed in her mother's footsteps.

"I started managing a whole store four years ago. I remember her saying that you should be very hands-on in the business, wake up early, and be passionate about what you are doing. Be knowledgeable in all aspects of the business," she added.

When asked about the specialties of Edna's Cakeland, Anna share that their bestsellers are their wide array of cakes, breads, and pastries that are home-baked every day.

"I think that it's the passion for maintaining the home-baked goodness and quality of our products that keep us successful and also the continuous innovation of creating cakes and pastries."

With its growing popularity over the years, Edna's Cakeland caught the attention of the Queen of All Media Kris Aquino and had the brand featured in her show a few years ago.

"It was an amazing experience. To have to talk to and be interviewed by her was such an honor. To know that she loved everything that we made her try was a validation that Edna's Cakeland has created quality and delicious cakes and pastries."

Edna's Cakeland now boasts an impressive 10 branches across Nueva Ecija and Pampanga, with plans for further expansion.

Success is sweeter when shared and behind every successful person is often an equally supportive partner.

With this, Anna spoke fondly of her relationship with actor and media practitioner Justin Cuyugan, "We are doing great. He's a very kind and supportive partner. We support each other's endeavors."

Cuyugan's construction business expertise has been instrumental in building Edna's Cakeland stores in Pampanga. In fact, new branch was opened in SM Clark last May 4.

Edna's Cakeland is more than just a bakery. It is home to well-kept recipes, traditions, passions, familial love and a long-lasting legacy.

Indian food is a filling and incredibly diverse cuisine that caters to a wide range of dietary preferences. There are vegetarian and non-vegetarian options, thanks to the myriad of cultural influences and its multitude of deities.

My life in the corporate world also exposed me to the different and wonderful flavors of India. Working with partners from the South of India allowed me to enjoy their dosa, a thin savory crepe served with chutneys, not to mention their idlis; colleagues from New Delhi also introduced us to the legendary Bhukara restaurant that is world famous for its dal makhani and prides itself with memorable celebrity visits.

Those adopting a vegan or vegetarian lifestyle would also find a wide array of choices within the Indian cuisine universe as there are ingredients that are not only dairy-free but also gluten-free.

While there are tried and tested and well-loved Indian restaurants in the city, it was likewise a pleasant discovery one weekend as we checked out the newly opened Krishna's Curry Corner, a casual dining place that serves authentic Indian food located in Las Piñas.

Tucked away in the heart of the city, this gem promises an unforgettable dining experience without breaking the bank.

An expansion of the original restaurant in Parañaque, Krishna's offers delectable and familiar Indian foods suited to the Filipino palette.

What sets it apart from the rest is its commitment to quality. Every dish is crafted using authentic ingredients sourced directly from India, and skillfully blended with flavors that cater to the Filipino tastebuds. You can also have the spice level customized. Their bestsellers include Butter Chicken, Chicken Biryani and Beef Curry and these dishes burst with rich flavors and tender meat that melts in your mouth.

The signature curry pastes are made from scratch. For those familiar in Indian cooking, making curries and pastes from scratch is not only a labor of love, but really a test of commitment in the kitchen.

Whether you're a die-hard fan of Indian cuisine or just looking to spice up your dining habits, Krishna's Curry Corner is worth checking out. Treat yourself and your family to a culinary journey that combines the best of India and the Philippines – your taste buds will thank you.

Krishna's Curry Corner is located at the G/F Robinson's Place Las Piñas.

In a historic victory for Filipino talent, Abi Marquez clinched the People's Voice Award for Social - Food and Drink at The 28th Annual Webby Awards, making her the first Filipino independent content creator to win the prestigious accolade.

This momentous occasion is not only a personal milestone for Marquez but also a significant cultural achievement, being the first time an individual entry from the Philippines has secured this category.

Dressed in a custom terno by Filipino designer Santi Obcena and styled by Pam Ricarte, Marquez took the stage at the iconic Cipriani Wall Street in New York City, where she accepted her award.

In her acceptance speech, she dedicated her victory to her homeland, "Philippines, this is for you!"

Known affectionately as the "Lumpia Queen," Marquez has captured the global food scene with her vibrant and innovative culinary content, predominantly featuring iterations of the beloved Filipino dish, lumpia or spring rolls. This award underscores her significant impact on the digital food community.

Marquez is also officially nominated for a 2024 James Beard Media Award, recognizing excellence in food-related social media accounts. The James Beard Awards are among the most prestigious honors in the US culinary and food media industries, highlighting leaders and innovators across the food system.

Represented by NYMA, the talent management arm of Kroma Entertainment, Marquez has found robust support in her professional endeavors.

Kat Bautista, General Manager of NYMA, expressed her pride, "We are incredibly proud of Abi and her groundbreaking achievements. Her success at The Webby Awards and her nomination for a James Beard Media Award reflect her exceptional talent and our commitment at NYMA to support outstanding Filipino creators on the global stage."

Marquez's journey from a Hotel Restaurant and Institution Management student at the University of the Philippines to an international culinary sensation highlights her dedication and passion for bringing Filipino cuisine to the global stage. As the world continues to embrace diverse food cultures, her win at The Webby Awards serves as a beacon of inspiration and pride for the Philippines, showcasing the richness of its culinary heritage and sharing the Filipino culinary narrative worldwide.

Leading up to President Ferdinand "Bongbong" Marcos Jr.'s recent directive to intensify efforts against online sexual abuse and exploitation of children (OSAEC) in the Philippines, the International Justice Mission (IJM) proposed concrete measures to support the government's initiative.

"Given the alarming prevalence of trafficking of children for the production of child sexual exploitation and abuse material (CSAEM) — with an estimated nearly half a million Filipino children victimized in 2022 alone—swift and comprehensive action is imperative. We commend the government's commitment to addressing this significant challenge," stated lawyer Samson Inocencio Jr., national director of IJM Philippines and vice president of IJM's Program Against Online Sexual Exploitation of Children.

Building upon their Scale of Harm prevalence study released last September, IJM voiced support for President Marcos' call to bolster law enforcement efforts aimed at rescuing victims, apprehending and prosecuting offenders, and implementing a holistic solution. Additionally, IJM suggested specific actions to accelerate the fight against OSAEC:Strict enforcement of Anti-OSAEC law provisions mandating tech companies to detect, block, and report CSAEM, including instances of livestreamed abuse.

Issuance of clear guidance and regulations by the Anti-Money Laundering Council (AMLC) and Bangko Sentral ng Pilipinas (BSP) to ensure Philippine financial institutions detect, intercept, and report transactions indicative of OSAEC.

Issuance of clear guidance from the Supreme Court for prosecutors and courts to consistently apply the principles of probable cause and police personal knowledge, facilitating expedited warrants.

Inocencio highlighted significant progress in addressing OSAEC, attributing it to collaborative efforts led by the Philippine Government, which have resulted in more perpetrators being held accountable and more victims rescued.However, acknowledging the ongoing severity of the issue, Inocencio emphasized the need for continued action. IJM remains dedicated to collaborating with the government, advocating for increased community reporting, and enhancing the criminal justice system's response, among other recommendations outlined in their study.

In 2023, the Philippines received 2,740,905 reports from the US National Center for Missing & Exploited Children (NCMEC) regarding suspected child sexual exploitation online, indicating a pressing need for proactive measures.To streamline and intensify Philippine law enforcement actions against OSAEC, IJM recommended the Supreme Court provide clear guidance enabling prosecutors and courts to interpret and apply legal principles effectively, facilitating swift warrants and arrests while prioritizing victim rescue.

Recognizing the financial sector's crucial role, IJM urged the AMLC and BSP to provide explicit guidance to financial institutions regarding the detection and reporting of suspicious transactions related to OSAEC. Additionally, IJM called for rigorous enforcement of the Philippine Anti-OSAEC law on tech companies, ensuring platforms are equipped to detect and prevent abuse.

IJM remains steadfast in its commitment to partnering with the Philippine Government to protect Filipino children from sexual abuse and exploitation until all are safe. To report information about online child sexual exploitation, individuals can contact the Philippine National Police – Women and Children Protection Center.

To date, IJM has supported Philippine authorities in rescuing close to 1,300 victims and children-at-risk, and apprehending nearly 400 suspected perpetrators, with over 230 convictions.

For reporting online child sexual exploitation, contact the Philippine National Police – Women and Children Protection Center at 0966-725-5961 (Globe) or 0919-777-7377 (Smart).

Life is full of uncertainties, and cancer is one of the toughest challenges families can face.

One Pru Life UK policyowner who found a lifeline in the form of insurance is Cerila Espidillon. Her insurance plan not only provided financial assistance but also served as a source of strength for her and her family, enabling them to confront the ordeal without worrying about the added burden of debt.

Sharing her story of resilience, Espidillon said, "I have been insured by Pru Life UK since 2013. I come from a poor family and saw people borrowing money when they got sick, and people who relied on their children to take care of them. I told my husband that I don't want our kids to worry about us when we grow older."

"I knew I made the right decision when I was diagnosed with breast cancer on Valentine's Day in 2022. Strangely, I didn't worry and continued with my work here in Dubai. My biggest concern was my kids seeing me sick. My friend and agent, Peach, helped me process my claim. It was so fast. I didn't need to follow up because not long after I gave all my documents, the claim was already in my account," she added.

According to her, the claim not only helped her pay hospital bills without going into debt, but also made her feel at ease knowing she is financially covered.

"I felt the care that Pru Life UK has for its clients. Now I can focus on my recovery and my kids. Insurance policies offer peace of mind and financial protection, especially from unforeseen incidents. If we want a better life, we need to get insurance," she shared.

Espidillon's story is just one example of how crucial life insurance can be for families, offering peace of mind during difficult times.

To keep families protected, Pru Life UK launched PRUHealth FamLove, a yearly-renewable protection plan that shares the critical illness coverage to up to four family members in one policy.

Before it even opened to the public, "The Banksy Universe | Manila 2024" gained attention online after it was announced that the exhibit of the elusive street artist Banksy at the Metropolitan Museum of Manila (The M) was unauthorized.

The exhibit is brought to the Philippines by Banksy Universe, a collective of Banksy enthusiasts and collectors. The group was established in 2000 and includes Filipino members. Some of the pieces, authenticated by Pest Control, were sourced from local collectors who prefer to remain anonymous.

Banksy Universe member and spokesperson Chris Johnson clarified there is no authorized Banksy exhibitions around the world.

Pest Control, the office that handles the paperwork of Banksy, has long clarified on its website that the graffiti artist is "not involved or associated with" any exhibitions.

"There are certain rules and guidelines an exhibit has to follow. The rules and guidelines are very clear on his [Banksy's] website. We respected all of it and we have communicated to them our intentions. We also have a non-profit organization such as the Metropolitan Museum that's backing us and we'll ensure for the integrity and authenticity of this exhibit," Johnson told The Sunday Times Magazine on the sidelines of the exhibit's opening.

In an earlier statement, The M already said, "It's almost impossible to see Banksy's original art outside of the specific locations in which they were created. Banksy Universe | Manila 2024 is a unique opportunity to learn more about Banksy's art and explore the universality of the many piercing social, political, and domestic issues it raises."

At the exhibit opening, Bambina Olivares-Wise, The M Special Exhibitions and Projects Consultant, added, "The irony of Banksy's work being shown in a museum is not completely lost in us."

She mentioned that they also comprehend the frustrations of showcasing Banksy's work within a "status quo that Banksy rails against in his art," but she argued, "Where else could you exhibit something like this? This showcase is also a tribute to Banksy and how he has elevated graffiti."

Both parties reiterated that the exhibit is more than just profit. Banksy Universe has partnered with Childhope Philippines, a non-government organization that protects and educates children in street situations. The organization is the primary beneficiary of the exhibition. The partnership aims to give back, by creating opportunities for children to express themselves through street art just as Banksy does.

"Childhope is the perfect partner for us. They are the perfect beneficiary. We worked with the street kids a lot. They come from he worst of circ*mstances, they grew up sniffing glue, they have no education or foundation, structure in their life and us being able to fund these initiatives with such an exhibit not only addresses the situation but also gives a new chance to these children to maybe explore a different path in their lives," Johnson said.

The works of the world-famous artist Banksy — whose irreverent, anti-establishment stenciled illustrations began appearing stealthily in public places in the late 1990s — have surfaced on the walls and pavements of major cities such as London, New York and Paris.

Now, Filipinos have the chance to enter this "unique world" through the ongoing exhibit at The M.

"The Banksy Universe" starts by tracing the trajectory of the famously anonymous artist's work.

Born in Bristol in the 1970s, Banksy initially made waves as a graffiti artist before gaining international acclaim for his distinctive stencil technique. He is best known for his thought-provoking creations, his art transcending traditional boundaries and offering satirical commentary on politics, culture and ethics.

Despite the fame and respect he has earned in the art world, Banksy masterfully kept his identity under wraps while his work steals the spotlight on both the streets and the auction block.

In 2010, he was chosen by Time magazine as one of the world's 100 most influential people and in 2014, he became the Person of the Year at the 2014 Webby Awards.

The Banksy Universe | Manila 2024 offers a comprehensive view of Banksy's impact on the street art movement, showcasing his thought-provoking pieces that address social and political issues such as inequality, injustice, capitalism, and commercialism.

Highlights include his iconic murals in the West Bank, including the Walled Off Hotel, which confront themes of war and conflict with biting satire. Additionally, visitors will be able to explore Banksy's collaborations with music artists, his temporary installations like Dismaland, and his ability to create engaging, conversation-starting art on a global scale.

Banksy Universe | Manila 2024 will run until November 20. An all-access pass priced at P550 gives visitors time to see the Banksy exhibit along with other The M shows. Tickets are available at metmuseum.helixpay.ph.

The Banksy Universe Collective also has a limited number of prints available at the Gift Shop. Send a message hello@banksyuniverse.com for a catalogue.•

Fernando Modesto, a member of the country's artistic community since the early '70s, is known for his style that is irreverent, whimsical and colorful.

The study of Indonesian culture that Modesto did in Jakarta during the two decades when he and his family were based there, resulted in the formation of his visual sensibility. As a recipient of a scholarship from the British Council, he attended the Central School of Art and Design in London in 1982.

The exhibition "Looking Back," which is Modesto's first exhibition since Covid-19, is a celebration of the artist's unconventional and zany approach to art and painting. It takes viewers on a joyful journey through seven decades of colorful and eccentric creations.

The transformative nature of the theme is highlighted by the artist's life and work, which together span five decades from his sold-out, one-man show at the Cultural Center of the Philippines in 1972.

When one examines Modesto's body of work through the lens of abstract expressionism, one is able to observe the evolution of his artistic style, technique, and vision over the course of his career.

Modesto's most recent exhibition in Galerie Hans Brumann in Legazpi Village, Makati, which follows the development of his art alongside his personal life, is centered on the concepts of time, creativity, and the artist's never-ending search for self-expression. These are all themes that run throughout the exhibition.

The Cultural Center of the Philippines welcomes its new president, businesswoman and philanthropist Kaye Tinga. She will assume the duties of the presidency on June 1, allowing her time to fully acclimate in her new role.

Tinga will take responsibility for the operations of the CCP, working closely with the management.

Her presidency was approved by the CCP Board of Trustees, following the election during the board meeting on May 15. She became part of the Board after her appointment from the Malacañang Palace in April this year.

She replaced early childhood educator Michelle Nikki Junia, who acted as president ad interim from September 2023 to March 2024.

Championing Filipino design talents, Tinga is the co-founder and co-chairperson of the Red Charity Gala, a prestigious annual event that aims to celebrate local fashion through the works of renowned Filipino designers including Dennis Lustico, Furne One, Michael Cinco, Cary Santiago, Ezra Santos, Jojie Lloren, Lesley Mobo, Chito Vijandre, Joey Samson, Rajo Laurel, and Ivarluski Aseron.

The gala also raises substantial funds for charitable causes, including for the Philippine Red Cross.

A business economics graduate from the University of the Philippines-Diliman, with MBA from Fordham University, she is the co-founder and managing director of W/17, a home furnishing and accessories brand that collaborated with with craftsmen from various regions across the Philippines, including from Cebu, Cavite, Pampanga, and Dumaguete.

Through her leadership, her brand has been promoting local artisans, cultural skills preservation, and economic development.

Nurturing the next generation of creative talents, Tinga serves as a board member of Mint College, a business and creative arts college and senior high school that provides an innovative learning experience and empowers young people through its pioneering programs such as music business management, multimedia arts and film and video.

Married to former Taguig Mayor and Congressman Freddie Tinga, and mother to four children, Tinga balances her professional and philanthropic activities with her family life, and interests in design and travel.

The CCP Board of Trustees is headed by Dr. Jaime Laya, with Margie Moran Floirendo and Carissa Oledan Coscolluela as Vice Chairs.

Completing the Board are real estate magnate Isidro Consunji, award-winning conductor Jonathan Velasco, PR maven Junie del Mundo, master light designer Felix "Monino" Duque, lawyer Gizela Gonzalez, and entrepreneur Marivic del Pilar.

Mezzo-soprano Krissan Manikan-Tan Krissan is a graduate and a scholar of the Paris Conservatory and Santa Isabel College, Manila.

She has won top prizes in vocal competitions both here and abroad.

She was described by the Hungarian press "Opera Vilag" as "an interesting accent of the of the semi-finals, from the Philippines who looked beyond her years, like a priestess with a very aesthetically beautiful voice: thick, dense, dramatic."

The French press "Classique News" also described her as "a mezzo-soprano who shows good qualities of a singer and an actress."

On May 18, she performed with tenor Nomher Nival and pianist Gabriel Paguirigan in a concert entitled, "Amore Fatale" as presented by Manila Pianos Artist Series On Stage.

We interviewed Krissan and here is that conversation.

What were your dreams and aspirations at the start of your career? Have you achieved them all?

During the early stages of my career, it was my dream to be able to perform abroad, sing in big stages, and meet my idols. I was lucky enough to have been granted scholarship by the French Embassy in Manila which which led me to perform in solo recitals held abroad like in Paris, France; Den Haag, Netherlands; and Islamabad and Lahore, Pakistan. I also met my opera idols like Nelly Miricioiu during two masterclasses here in the Philippines and Eva Marton during a competition I participated in. My dream and aspirations are still on an on-going process. I aspire to pursue my Masters Degree in Music and one day, create my own opera group to train young vocalists, make them perform in recitals or opera galas, and aid them with scholarships abroad.

As an artist who needs to be at the top of your game for all your musical endeavors, what do you do when you encounter a creative block in your career?

There are times that we artists have dry spells or lack productivity in our lives. What I do is to go back to music which serves as my way of life and coping mechanism then I get back on track. A simple way of listening to good positive music can uplift any mood and release stress, that is what I learned from practicing Music Therapy. I just don't listen to Opera, I am flexible to listening and singing different genres from Pop to Jazz to Broadway Musicals.

What advice can you share with the next generation of artists who also want to perform center stage someday?

My advice for young artists is to always find inspiration in what you are doing and love your craft. If you love what you are doing, you will work hard and strive to be the best that you can be.

Do you have any forthcoming concerts?I am a music teacher at TCI Village Rehabilitation Center and I provide music therapy for the residents of the facility. It is a good setting for me to be creative with people from all walks of life. I get to understand people with conditions and it is very fulfilling to see that through the help of music, they are healed.

I have a lot of upcoming events this year, and I just finished Amore Fatale with tenor Nomher Nival and pianist Gabriel Paguirigan held May 18 at Manila Pianos, Paseo de Magallanes, Makati City. It was an opera duo recital from selections of Verdi's Don Carlo, Massenet's Weather, and Bizet's Carmen.

You may find me on Facebook, Instagram, LinkedIn - Krissan Manikan-Tan and I always update my friends about my events.

Mother's Day and National Heritage Month (NHM) celebrations continue with a special screening of the restored version of "Bata, Bata... Paano Ka Ginawa?" today, May 19, 2 p.m., at The Metropolitan Theater.

Directed by Chito Roño and starring Vilma Santos-Recto, Carlo Aquino, and Serena Dalrymple, this film is a classic of Filipino cinema.

Adapted from Lualhati Bautista's novel, the film delves into Filipino family dynamics and values, gender inequality and roles, womanhood, and motherhood through the perspective of Lea, played by Vilma Santos.

The movie presents an intriguing portrayal of the complexities and juxtaposition of its main character, capturing the lives of women and mothers in a macho-feudal society.

Shown every third Sunday of the month, the restored films under the program Mga Hiyas ng Sineng Filipino aim to bring some of the most important restored films of Philippine cinema back to the big screen.

This exhibition of cultural heritage films aligns with the Metropolitan Theater's mandate to give a premium to the exhibition of original Filipino works and to highlight the importance of preserving our cultural heritage by making these heritage assets accessible and available to the general public.

Interested moviegoers can register via https://bit.ly/4a5qEic. watch the film for free.

Shakespeare's longest and most popular revenge tragedy, "Hamlet," closes the first season of CCP National Theatre Live with special screening on May 28, 6 p.m., exclusively at the Ayala Malls Cinemas, Greenbelt 3 Cinema 1.

Following the runaway success of Frankenstein at the CCP National Theatre Live screening in February, Oscar-nominated actor Benedict Cumberbatch takes on the most challenging role in theater history, Hamlet, a complicated character driven by his inner conflicts, intense emotions, and moral dilemmas that are affecting every character's life in the story.

Giving theatrical support are actors Ciaran Hinds, Sian Brooke, and Kobna Holdbrook-Smith.

Filmed live from the Barbican Theatre, the play revolves around Hamlet, a man haunted by the ghost of his father and forced to avenge his death. After the unexplained death of his father, the powerful King of Denmark, the crown is seized by his uncle Claudius.

Suspecting that his uncle had a hand in the death of his father, Hamlet struggles with moral consequences of revenge by murder, threatening both his sanity and the security of the state.

Compelled to avenge his father's death, yet paralyzed by the task before him, Hamlet defies his position, acting against reason and the safety of the country.

Directed by Lyndsey Turner and produced by Sonia Friedman Productions, this version of Hamlet seems to dissect the Prince of Denmark and his darkening world with political precision and psychological insight.

The staging of the Shakespearean tragedy has been hailed for its acting and visual modern setting, emphasizing the continuing relevance of Hamlet in today's generation.

For its broadcast debut in 2015, the National Theater Live play broke all records and became the fastest-selling event in London theater history. Tickets were sold out before rehearsals at the theater even began.

The special screening of Hamlet is made possible through the partnership of the Cultural Center of the Philippines and the National Theatre Live, in collaboration with Ayala Malls Cinemas. The CCP NTL Program aims to bring the best London theater experience to the Filipino people through high definition film technology.

First launched in 2009, the National Theater Live is a groundbreaking project to broadcast the best of British theater live from the London stage to cinemas around the world. NTL films their plays in front of live theater audiences, but optimized for the big screen and made accessible to theater fans outside of the United Kingdom.

Tickets are available via sureseats.com.

Children, particularly those from prominent families, often yearn to step away from their parents' shadows. They have no intention to rebel necessarily but mainly strive to carve out their paths and establish their own identities, hoping to save themselves from what is sure to become a lifetime of scrutiny and comparison.

If not that, albeit on a deeper level, their compulsion to pursue different passions or professions would most likely stem from a fear of disappointing the very people they admire.

But then there are the likes of renowned and perennial Original Pilipino Music (OPM) hit composer Cecile Azarcon, whose career trajectory suggests she had no qualms following the revered footsteps of her mother, the late Philippine music doyenne Minda Azarcon. To this day, the older Azarcon is regarded as one of Philippine music's foremost voice teachers, who, despite her background in classical music, was responsible for bravely adapting pop into what had long been the strictly structured coverage of singing lessons.

It further seems the younger Azarcon had no problem making a name of her own as she quickly emerged as the musical genius behind many of what was to become the biggest-selling contemporary classics of all time. "Lift Up Your Hands" by Basil Valdez, "Reaching Out" by Gary Valenciano, "One More Try" by Kuh Ledesma, "Special Memory" by Iwi Laurel, "So It's You" by Raymond Lauchengco, "How Did You Know?" by Chiqui Pineda, "Even If" by Jam Morales, and "Ikaw ang Lahat sa Akin" by Martin Nievera are but a few of Azarcon's beloved and timeless compositions.

In a rare media interview, however, Philippine Music's highly respected Cecile Azarcon surprisingly revealed that her storied music career may have never unfolded. Like many sons and daughters of prodigies, she initially grappled with the weight of her mother's exceptional gift and very early on decided she wanted nothing to do with it.

Music as life

"My mother, besides being a voice teacher, was also a music director, concert pianist, and opera singer," the soft-spoken and ever-humble Azarcon related, allowing a hint of pride in her voice as she lovingly remembered the woman who gave her life and the precious gift of music she initially rejected.

Already a longtime resident of California, she shared via Zoom how her core memory of growing up consists only of a single image.

"My mother played the piano all the time, and I thought all mothers were like that," Azarcon sheepishly admitted. "So I did my homework with Chopin, Rachmaninoff, and Beethoven playing in the background. That was the environment I grew up in, and it was all because of my mom."

To say music filled the Azarcon home is, therefore, an understatement, yet the highly artistic atmosphere left a young Cecile unimpressed. She even thought nothing of learning to play the piano at the age of three or when she wrote an actual song when she turned six. Again, she thought all of it was normal.

Day in and day out, though, she watched her mom go back and forth to the music room, where she spent long hours teaching her voice students or satisfying her intense passion for playing the piano.

"Back then, I said to myself, 'I don't want to live like that,' and I even thought I would do something else," the daughter declared.

As school inched its way to college, Azarcon practically ran the gamut of possible courses she could pursue. Her list of options hardly made sense and mixed medicine with mass communication, journalism, and fine arts. So long as it had nothing to do with music, Cecile, the "kolehiyala," considered the degree.

"And yet here we are," Azarcon chuckled as she realized she was telling her story so openly for the first time, on the occasion of her 45th anniversary in the music industry, no less.

Never one for interviews since shooting to fame in the '80s, the hit composer finally made it known that music — the way her mother lived and breathed it — was not "her thing" at the beginning. Or at least, she thought, because it wasn't long until the melodious and expressive art form rendered her powerless.

Granted, music is a beautiful thing to surrender to, Azarcon said she still could not believe what happened next.

"As I said, everything about my mom was about music. It was her life, and no matter what I did, that is what shaped me. But finally going into it, I couldn't help but notice that everything that happened to my mom happened to me."

Becoming mom

Genuinely free from regret, Azarcon related how naturally she assimilated everything that connected her mother to music.

"From teaching voice and piano to writing songs, I found myself doing everything she did. People even told me my voice or how I walked became the same. If you met my mother then and saw me next, you would definitely say, 'You are your mother.'

"So, yes, it's true," Azarcon happily conceded. "I am my mother."

Providentially, surrendering to a life of music only brought out the best in Azarcon. At age 19, she practically fulfilled her immense potential as she bravely took over her mother's prominent studio when the latter suddenly decided to retire and migrate to the United States.

Left with a roster of students that comprised the most important recording artists of the time — her mom had been teaching the likes of Nora Aunor, Maricris Vermont, and Celeste Legaspi for context — Azarcon did not doubt her capabilities to carry on but knew she had to be careful in her approach.

Obviously, her young age was her immediate challenge in establishing credibility. While her pragmatic solution to the problem sounds comical today, it nevertheless worked for the very reason that Azarcon had the intrinsic talent in massive amounts to bring her plan to fruition.

"To get by, I would apply thick makeup to make me look older. After all, my mom's students were actual celebrities, so I had to look the part," Azarcon heartily laughed as she narrated the funny yet defining memory.

By the way, while all these life-changing events were happening to a 19-year-old undergrad from the University of the Philippines' College of Music, Minda Azarcon's worthy successor at the famed music studio was also on the cusp of composing her first-ever hit.

Divine intervention

Even the heavens rejoiced when Cecilia Azarcon stopped denying her innate talent for music and genuinely accepted her mother as her inspiration.

For when she tried her hand at composing as her mother did, what she can only describe as "divine intervention" ultimately opened the artist to her life's purpose.

"'Lift Up Your Hands' was more than just a song," said the hitmaker of her first composition, which gave Basil Valdez his most iconic song.

"Who would have imagined that an inspirational piece would grace the airwaves? Or that when I penned that song, both lyrics and melody flowed within just 10 minutes," Azarcon narrated.

"It felt divinely inspired," she added almost in a whisper, still in awe to this day by the gift she received from the greatest Creator of all.

"It was as if I didn't need to consult any source, not even the Bible, though the lyrics are rooted in Matthew 11:28," she recalled.

The song just came naturally to the newfound composer following a call with a troubled friend who happened to be the daughter of her church pastor. After offering the friend her comfort and praying together, "Lift Up Your Hands" simply started flowing out of Azarcon and set her off on her storied and successful journey as a songwriter.

"I firmly believe the success of 'Lift Up Your Hands' was ordained by God. How did I find myself playing the song out of the blue when I tagged along with a cousin who worked at Vicor Records? Why did Basil pass by that exact moment to hear my impromptu performance and, then and there, express his interest in recording it for his album?"

An even more moving story found its way to Azarcon after the song had been released and distributed across radio stations in the hope of being played.

"The DJ who first played it faced repercussions for deviating from the usual playlist and choosing to air an inspirational song. But its instant popularity saved his job.

"So to this day, 'Lift Up Your Hands' remains my most treasured creation. It is a testament to divine timing and intervention and truly led me on a journey beyond my wildest dreams."

Worthy celebration

To consider, even for a second, that the world could have missed out on Cecile Azarcon's gift and immeasurable contribution to Philippine Music is unthinkable. Had she been stubborn and insisted on what she thought she wanted as a young girl — anything but her mother's music-centered life — the careers of many OPM stars may not have become the way they are today. While Basil Valdez was already a hitmaker, it was crossing paths with Azarcon and her incredible composition that sealed his greatness.

Likewise, generations of Filipinos would have never found the perfect songs to accompany them across life's most significant events. Whether finally finding the love of your life ("So it's you, I've been waiting for so long..."); losing love and moving on ("Even if you mean the whole damn world to me, I can forget you, wait and see..."); facing an insurmountable crisis ("Lift up your hands to God and he'll show you the way"); and even saying goodbye to a beloved ("You will always be a special part of me, You will always be a special memory..."), Azarcon has given us the lyrics and melodies to see us through.

On the other hand, Azarcon's unexpected revelation should only make her 45th anniversary as a composer all the more special and meaningful, and in every way worthy of a grand tribute concert Viva Live is currently preparing for her at the Theater at Solaire on May 24 and 25.

Nothing less than an all-star event that will surely make history in Philippine Music, the list of performers who are profoundly honored to be part of "Cecile Azarcon: A 45th Anniversary Concert" features Kuh Ledesma, Janno Gibbs, Jam Morales, Fe de los Reyes, Jackielou Blanco, Mark Bautista, and Timmy Pavino on both nights, with Martin Nievera, Iwi Laurel, and Nicole Asensio joining them on May 24, and Ogie Alcasid, Zsa Zsa Padilla, and Katrina Velarde on May 25.

Azarcon, who last visited the Philippines in 2017 long before the pandemic, said she cannot wait to return for the musical event. Truly touched and overwhelmed to receive such importance from the industry, she is also eager to express her undying gratitude to everyone who has played a part in her remarkable musical career.

"This concert is also my way of thanking Boss Vic (del Rosario of the Viva conglomerate), who gave me my break and recorded 'Lift Up Your Hands' under Vicor Records; Homer Flores, who arranged most of my hits and all my arrangers; all the artists who sang my songs; and all the DJs, as well as the media, for all their support in the past four and a half decades."

Saving the best for last before ultimately thanking God for blessing her with 45 prolific years in the music industry, Azarcon also revealed her plans to honor her mother during the concert.

"I composed a piano piece for my mom called 'Memories of You.' I wrote it a year after she passed away. My mom passed on November 19, 2021. It has no lyrics; it's just a melody, and I will play it in public for the first time at my homecoming."

When she does, Cecile Azarcon, who triumphantly established a name, identity, and legacy for herself outside her mother's shadow, wouldn't mind if anyone mistakes her for Minda Azarcon on stage.

"Like I said, it was my mother who shaped me, and it is because of her that I am who I am today, and I will always be grateful for that," she ended.

The vibrancy and diversity of Mindanaoan culture take center stage in Danny Castillon Doce's new exhibit, "Colors of the South." Featuring seventeen watercolor renderings, the exhibition warmly invites the public to delve into the rich ethnography and experiences Mindanao has to offer.

Through his skilled hands, Doce portrays the raw essence of the region's people, nature, and culture, employing realism as his method.

As visitors step into the gallery, they are greeted by a breath of life, warmth, and communal spirit. Three renderings adorn the entrance, each depicting indigenous groups from across the island: "Innocence" portrays a Tboli child, "Young Ones" captures siblings from the Manobo tribe, and "Young Once" encapsulates the experiences of an adult Bagobo Tagabawa. These pieces draw inspiration from photographs of Jojie Alcantara.

Throughout the exhibition, Doce pays homage to the photographs that sparked his creative ideas and unleashed his artistic skill.

For instance, "Waiting to be Risen," a photo by Den Jib Siblos served as a reference, "Pulling It In!" and "Malongon Campsite" were inspired by images of Donita Andres (DOT Region XII), while "Palendag Melodies" draws from the photo of Jojie Alcantara, and "The Weaver" is inspired by a photograph by Ruel Ambat.

"Colors of the South" will run until May 31 at the National Commission for Culture and the Arts (NCCA) Gallery located on the Ground Floor, NCCA Building, 633 General Luna St., Intramuros, 1002 Manila.

NCCA Gallery Hours are from Mondays to Thursdays, from 9 a.m. to 6 p.m., Fridays and Saturdays, from 9 a.m. to 3 p.m.

For more information on the NCCA Gallery, call +632 8527 2192 or email gallery@ncca.gov.ph.

Leading dance companies, groups and artists showcase the diverse Philippine dance heritage in "Pulso Pilipinas: Mga Likhang Sayaw." Set on May 23 and 24 at the Metropolitan Theater in Manila City, the event will highlight the excellence and versatility of the artists in various genres ranging from folk and indigenous, to contemporary, hip-hop, jazz, ballroom, and classical ballet.

Organized by the Cultural Center of the Philippines (CCP) and directed by Marciano Viri, Pulso Pilipinas brings together the Ramon Obusan Folkloric Group, Bayanihan, The National Folk Dance Company of the Philippines, Ballet Philippines, Alice Reyes Dance Philippines (ARDP), Ballet Manila, Philippine Dancesport Team, The Crew, University of Santo Tomas (UST) Salinggawi Dance Troupe, and Aljana "Cheenee" Alicia Rose Marie Limuaco in a two-night dance festival filled with excellent artistic works that will educate, enrich, and deepen the appreciation of dance as a form of expression.

The program emphasizes dance, and arts in general, as a unifying factor in nation-building. The dance symbolizes the Filipino people's innate desire to express their thoughts, aspirations, and humanity. An avenue of artistic and social expression, dance encourages collaboration across various sectors of society.

The two-day dance event will showcase different selected dances. On the first day, the Bayanihan, The National Folk Dance Company of the Philippines will perform "People Under The Sun," while the Philippine Dancesport Team will showcase "The Matrix." Ballet Philippines brings back "Equus," and the Ballet Manila will showcase a neo-classical ballet titled "Dancing to Verdi."

"Catch Salom," a contemporary dance film choreographed and performed by Limuaco. The short film won first place in WifiBody.Ph (Virtual Body) 2020.

Don't miss the performances of Ramon Obusan Folkloric Group with "Padyak;" UST Salinggawi Dance Troupe with "Maiba, Taya!;" Alice Reyes Dance Philippines with "Bayleng Bicolano;" and The Crew with "24K Magic" on the second day.

Ticket for Pulso Pilipinas: Mga Likhang Sayaw are available at Ticketworld and CCP Box Office.

For updates on future productions and programs of the CCP, follow the official CCP social media accounts on Facebook, X, Instagram, TikTok, and YouTube.

In the heart of the Los Angeles tattoo community shines a new kind of tattoo artist, our very own Sherri Austria Portela. Sherri's unique approach to the craft has created waves in the industry, way beyond the Filipino-American community, and continues. Today, Sherri sits down with Thought Junkie to discuss her journey from the Philippines and the intricacies of her industry.

Thought Junkie: Who is Sherri? What led you here?

Portela: Who am I? Now, that's a loaded question. On the surface, it seems straightforward, but delve a little deeper, and you'll find a complexity that mirrors life itself. My name is Sherri, originally hailing from the vibrant streets of Manila, Philippines. However, fate has woven a new chapter for me, and for the past 11 years, I've called Los Angeles my home — a city that pulsates with a rhythm uniquely its own.

I've always been a firm believer in the adage that everything happens for a reason, as cliché as it may sound. Each twist and turn, every decision made, has inexorably led me to this very moment. I often attribute this pivotal shift in my life to what some call a quarter-life crisis — a moment of profound self-reflection and reevaluation. It was during this juncture that I realized the corporate world, where I once navigated, didn't resonate with my soul. The monotonous rhythm of the 9-5 grind felt suffocating, urging me to seek more, to unearth the deeper meaning behind existence.

During this period of uncertainty, I had no grand plans, merely allowing life's current to guide me. Little did I know that this seemingly aimless journey would introduce me to pivotal individuals — mentors, friends, and companions — who would become the bedrock of my growth. These encounters, these serendipitous moments, served as catalysts that propelled me towards my current path. Given this, I can say that I am an amalgamation of past experiences, present aspirations, and the boundless possibilities that the future holds.

What endeared you to the art of tattooing?

What drew me into the intricate world of tattooing was initially a simple desire — to cover a birthmark that had long been a part of me. Little did I know that this single decision would spark a fascination that would grow into a passion.

At the tender age of 18, I took the plunge into the world of tattoos, and from that moment on, there was no turning back. It's fascinating to contemplate the profound impact tattoos can have on people. For me, that first tattoo was more than just ink on skin — it was a transformative experience. It gifted me a newfound self-confidence, a trait I had often felt lacking in my formative years. It was as if I had shed a layer of myself to the world, revealing a part of me that I had long kept hidden. And surprisingly, I found solace in this vulnerability.

Can you tell us more about it?

As someone who has always been drawn to various forms of art, it seemed only natural to explore tattooing as another medium of expression. What began as a curious experiment soon turned into a passion project. What kept me going was the profound effect it had on people.

There's a unique fulfillment in earning someone's trust to etch their stories, dreams, and emotions onto their skin permanently. Being a part of someone's journey, whether it's aiding in their healing process, commemorating a significant milestone, or simply expressing their appreciation for art, is incredibly rewarding. It's a symbiotic relationship where I get to channel my creativity while being a part of someone else's narrative.

What is the biggest misconception about it? How has it changed in the last decade or so?One of the biggest misconceptions about tattooing is that it's purely a rebellious or impulsive act, often associated with a fringe or alternative lifestyle. This stereotype overlooks the deep and diverse reasons why people choose to get tattoos. Tattoos can hold significant personal, cultural, and artistic meanings for individuals, serving as a form of self-expression, commemoration, empowerment, or even healing. Over the past decade or so, there has been a noticeable shift in the perception of tattoos. They are increasingly viewed as mainstream and widely accepted forms of art and personal expression.

Has social media affected this?

With the rise of social media platforms, the art of tattooing has become more visible and accessible to a wider audience. Tattoo artists are now recognized as skilled professionals and artists in their own right. There is definitely a cultural shift. Society has become more inclusive and open-minded, celebrating diversity and individuality. Moreover, it is a growing industry and there are advances in tattooing technology, such as improved ink formulations, equipment, and tattoo removal options to name a few.

Are there still misconceptions?

However, despite these positive changes, some misconceptions still persist. For example, there may still be lingering stereotypes associating tattoos with criminality or unprofessionalism in certain conservative environments. Additionally, misconceptions about tattooed individuals being impulsive or irresponsible may arise due to outdated beliefs. Overall, the perception of tattooing has evolved significantly in recent years, reflecting broader societal shifts towards acceptance, diversity, and appreciation of personal expression."

What are your favorite pieces?

Choosing a favorite tattoo from my diverse portfolio is no easy task. I've delved into a wide range of styles, from expansive back pieces in geometric designs to intricate Filipino tribal arm sleeves, all because they resonate with me in different ways. Sometimes, it's about creating something visually striking and cool, while other times, it's about capturing deep, meaningful stories in tiny line work tattoos. Each piece, big or small, holds its own unique charm, making it challenging for me to single out a favorite. I cherish them all, each representing a special connection and creative journey.

How do you describe it as an art form?

Tattooing, as an art form, is a deeply personal and transformative journey that intertwines creativity with human expression. It's more than just ink on skin — it's a canvas for stories, emotions, and memories to come alive. For me it is also something personal as it's a collaborative process where my vision merges with the client's narrative, resulting in a wearable artwork that speaks volumes without uttering a word. What makes tattooing truly special is its ability to transcend boundaries and evoke powerful emotions. It's not just about creating something visually appealing; it's about capturing moments, beliefs, and passions in a tangible and enduring form. As a tattoo artist, I find immense joy in being a part of this artistic journey, channeling my creativity to create meaningful, lifelong expressions of identity. Each tattoo is a testament to the beauty of human connection and the endless possibilities of self-expression through ink and imagination.

What is it like building a business in the United States as a Filipino - American?

It's incredible to reflect on my journey, building my own business here in the bustling and competitive city of Los Angeles. I never imagined myself capable of such a feat, especially in a place known for its cut-throat nature and dense population. There are moments amidst the hustle when I pause, still in awe that I've come this far. From the beginning, it was all about survival. The thought of going back to working for someone else simply wasn't an option for me. I had to make it happen, no matter the challenges.

However, as time went on, I realized that my journey was about more than just personal success. It became a mission to create something meaningful for my community, especially as a minority in a city celebrated for its diversity. Having a Filipino-owned tattoo establishment in the heart of Los Angeles is not just about representation; it's about empowerment and breaking barriers. I want to see Filipino artists at the forefront of this industry, receiving the recognition they deserve. It's not just about doing well; it's about excelling and supporting each other along the way.

One of the goals I hold dear is to change the narrative within our culture.

Instead of succumbing to the toxic trait of crab mentality, where individuals pull each other down out of envy or insecurity, I want to foster a culture of support and upliftment. We should be pushing each other up, celebrating successes, and creating a safe space where everyone can thrive. Ultimately, my business is not just a tattoo studio; it's a symbol of resilience, community, and the power of unity. It's about rewriting old narratives and paving the way for a brighter, more inclusive future.

If there's one thing you'd tell someone thinking of getting art on their skin, what will you tell them?Absolutely! If you're considering getting a tattoo, make sure to do your research. Think about the concept of what you really want to get and take time to research different styles, artists, and studios. Having the right artist with the style that you want is crucial. Every artist has their own workflow. If possible, schedule a consultation with your chosen artist. Use this time to discuss your ideas, ask questions, and ensure that you're comfortable with the artist's style and approach. Communication is key so don't hold back and disclose any opinions and thoughts to your artist.

Be mentally prepared for the tattooing process, as it can be both exciting and nerve-wracking. Make sure you're well-rested, hydrated, and have eaten before your tattoo appointment to help manage any discomfort. Understand that tattoos take time to heal and may go through stages of itching, peeling, and fading before settling into their final appearance. If you have any concerns during the healing process, don't hesitate to reach out to your tattoo artist for guidance. Above all, remember that getting a tattoo is a personal choice and should reflect your individual style and story. Trust your instincts, communicate openly with your artist, and enjoy the process!

The Sovereign Art Foundation (SAF) announces the 30 artists shortlisted for The 2024 Sovereign Asian Art Prize. Three Filipino artists — namely Demet, Rocky Cajigan and Veronica Peralejo — are included in the list.

This year marks the 20th anniversary of the Asian art award, which provides artists with international recognition and generous financial prizes. Moreover, The Prize is an important charitable endeavor, raising substantial funds to support disadvantaged children by auctioning the finalists' artworks.

The finalist artworks were shortlisted from 362 entries by 171 artists, nominated into The Prize by 55 independent professionals. The finalists themselves hail from 15 countries and regions across Asia-Pacific, with Hong Kong being the most strongly represented with nine artists shortlisted.

Nearly two-thirds of the shortlisted artists are women, a first for the Prize. Notable

Prize alumni include Etsu Egami, Rashid Rana, Lindy Lee, Yang Yongliang, Adrian Wong, Chow Chun Fai, Qi Zhilong, Stephen Wong, Alvin Ong, Rithika Merchant, and Alex Seton.

A judging panel will select two finalists, to be awarded the US$30,000 grand prize and the US$5,000 Vogue Hong Kong Women's Art Prize, respectively. A US$1,000 Public Vote Prize will be awarded to the artist whose work attracts the most votes from the public.

The judging panel for this milestone year comprises writer, curator, and museum director, David Elliott (Chair Judge); Executive Director and Curator at Para Site in Hong Kong, Billy Tang; artist and former Prize recipient, Debbie Han; independent curator, critic, and policy analyst, Marion Pastor Roces; and artist and winner of The 2023 Prize, Parul Gupta.

The 30 finalists' artworks will be shown and can be voted on, both in person and online, during a free public exhibition at 9/F, H Queen's, 80 Queen's Road Central, Central, Hong Kong until May 16. Younger visitors can explore the exhibition's key themes with a special self-guided activity, developed by SAF's experienced art therapists and programme facilitators to promote family bonding and self-discovery through art.

Selected artworks will be sold at the exhibition at a fixed price on a first-come-first-served basis. The remaining works, except the Grand Prize winner, will be auctioned at a Gala Dinner at Four Seasons Hotel Hong Kong on May 17, with proceeds split evenly between the artists and SAF's charity programs.

Auction funds will support SAF's Make It Better (MIB) program, which has been providing expressive arts workshops for children living in Hong Kong's most disadvantaged communities since 2013.

The workshops support the social, emotional, and behavioural challenges of children with special educational needs including autism, ADHD, and other specific learning difficulties, and are run by a professional team of registered Art Therapists. The program currently serves over 170 beneficiaries weekly and has recently expanded to provide education, training and support for the children's caregivers and social workers.

Seasoned actress, CEO, entrepreneur, and public servant Angelica Jones is now National Chairman of "Project Watch," a long-range socio-civic undertaking of JCI Senate Philippines.

Jones is only the second woman JCI Senate member to be elected national chair of this endeavor, where "Watch" is used as an acronym for "We Advocate Time Consciousness and Honesty." As such, the project is geared at strengthening the values of punctuality and honesty among Filipinos. The campaign began during the Arroyo administration and is actually a movement to stamp out so-called "Filipino time."

"As for honesty, we always say it is the best policy but many hardly [live it out] in their lives and in their professions," Jones, who is a three-time board member of Laguna and founder and charter president of the all-female JCI Hijas de San Pablo, noted in an interview.

The JCI remains largely a male-dominated worldwide organization, which is why Jones is ever proud of her chapter as well as her rise to the JCI Senate, whose membership is by invitation only.

Her appointment as national chairman of Project Watch is therefore another significant achievement in her JCI career, as Jones expressed.

"I thank Project Watch council founder Senator Cesar Ochoa, Sen Aggie Angeles, National JCI Senate President Eduardo Echem, National Executive Vice President Herbert Tang, and the National Board of JCI Senate Philippines for the trust given to me to be the National Chairman of Project Watch. I promise to reciprocate with loyalty and dedication so that I can accomplish the legacy mission of JCI Senate Philippines and its flagship Project Watch."

Jones is busy bringing Project Watch to schools, believing, "Teaching Filipinos about being punctual and about being honest even when no one is looking is best done among the young people who are in school and who are open-minded about life."

Jones, who proudly walks the talk, said her mother had long instilled in her the value of punctuality, so much so that she always makes sure she is never late for any commitment, whether in meetings for her socio-civic work or to the set of her latest showbiz endeavor.

Jones just finished filming "When Magic Hurts" with Beaver Magtalas, Mutya Orquia, and Maxine Trinidad which hits cinemas later this month. Her next movie project is titled "Neophyte," which stars Derrick Monasterio and Elle Villanueva.

A single mom, Jones said she has no plans of changing her status as she quipped, "Project Watch is the love of my life!"

Jones was formally inducted as Project Watch national chairman, along with her newly appointed officers Senator Rommel Gerodias, National Training Director; JCI Senator Reggie Yu, Auditor; JCI Senator Rhea David, Treasurer; and JCI Senator Jing Abarca, Secretary General.

The ceremony also included the transfer of funds from the previous leadership, facilitated by JCI Senators Rosalind Ngo (past national chairman) and Aries Balanay (executive director and past national chairman).

A message from JCI Senator Eduardo Echem, JCI Senate Philippines National President, was read by JCI Senator National Vice Pres. Herbert Tang, emphasizing the significance of partnerships and collaboration in driving meaningful change. This message echoed the shared purpose that unites all Project Watch advocates.

As the new chapter begins, all those involved are eager to continue promoting the core values of punctuality and honesty, inspiring others to join them in this transformative journey.

Meanwhile, the Project Watch chair announces her gratitude to stalwarts of JCI Philippines, JCI Senate, and Project Watch including JCI Senate National President Eduardo Echem, Project Watch Founding Chairman Emeritus JCI Sen Cesar S. Ochoa, JCI National Executive Vice President Herbert Tang.

Jones will be in charge of putting together a dinner concert on June 29 to raise more funds for Project Watch. The event is dubbed "Time to Watch" to be held at the Quezon City Sports Club 7:30 p.m. to 11:30 p.m.

Jones has visited Sorsogon, Isabela and the National Convention of PTA in Baguio for the launching of Project Watch.

Project Watch is slated to be launched by Jones this year in Batanes, Cagayan, Camarines, Ilocos Norte, Nueva Vizcaya, and Palawan and Schedule for The Project Watch Month in Luzon, Visayas and Mindanao thru the JCI Project Watch Chairmen and the Department of Education.

Award-winning filmmaker Carlos Siguion-Reyna is now the chairman of the Cinemalaya Competition and Monitoring Committee, taking over the position vacated by director Jose Javier Reyes who is now serving as the new chairman of the Film Development Council of the Philippines.

Siguion-Reyna will remain head and program director of the Cinemalaya Institute, the educational arm of the annual biggest independent Film Festival. Since 2015, he has been giving workshops and conducting film direction courses at the Institute.

He received his MFA in Film at the New York University's Tisch School of the Arts, where he also taught graduate film courses at its Singapore campus. His thesis film "Patas Lang (Fair Exchange)" won an award in the narrative category of the 1989 Nissan FOCUS Awards.

He has done 13 feature films, twelve of which were produced under Reyna Films, a production company he managed with his mother, the late singer and actress Armida Siguion-Reyna.

"Hari ng Tondo (Where I Am King)" received the Special Jury Prize in the Directors' Showcase category of the 10th Cinemalaya in 2014.

His films won in various international film festivals in San Diego, Toronto, Newport Beach, Berlin, and Singapore, and local film awards Gawad Urian, FAP Awards, Famas Awards, and Young Critics Circle Awards.

His extensive repertoire in the filmmaking industry includes being selected as one of The Outstanding Young Filipinos (TOYF) in the field of Arts/Cinema in 1995, serving three terms as president of the Directors' Guild of the Philippines, Inc., and teaching film direction and conducting short lectures and workshops at the University of the Philippines Film Institutes, the Directors' Guild of the Philippines, the Cultural Center of the Philippines, and the Mowelfund Film Institute.

Our featured artist today is singer-songwriter, social media personality and OFW Nasser Amparna. A Bachelor of Science Pharmacy graduate from the University of Santo Tomas (UST), Nasser's dream was to make a name for himself in the music scene. But he had to give it up to become an OFW and be the breadwinner of his family.

Despite these challenges, Nasser still continues creating his own artistic endeavors.

We recently had a chat with him and here is that conversation.

You are a songwriter, social media personality and an OFW. Coming from that background how did you land a job in Singapore?I work in an international school as a Science Laboratory Technician in Hwa Chong International School. I got the job by referral of my childhood friend way back in 2014.

How do you manage to remain creative, stay true to your music and keep a healthy balance between your many responsibilities?Time management and keeping my passion burning. You know in our lives, if you let your passion fade, that will lead you to a sedentary life. As we age, there will be difficulties but if you have something you are passionate about and set time to do it, you will never go wrong. It keeps your brain working too. So I think that adds up to a continuing stimulus to your life.

Do you believe artists should push themselves to the limit or should they find means to keep their images fresh?I think both.

First, I believe it is the artist's responsibility to maintain a harmonious relationship with his/her supporters and maintain a holistic personality. That includes a good social interaction, artistry improvement, and relatable ways of life, among others. On the other hand, Curve Entertainment, my management, will only need to provide me assistance, direction and develop a clear vision and plan for my career, including goals and strategies for success, securing opportunities for me, such as bookings, collaborations, and partnerships. It takes two to tango for it to work though sometimes, it happens that when one failed to do its job, the other one will be there to catch up. Nothing is dispensable.

What do you want to achieve in five years? Any forthcoming musical events?I hope that in five years, I am already back in the Philippines for good and pursuing my own business and still singing out my heart to people.

At the moment, I have released songs under Curve Entertainment namely, "Can This Be Love" — an original composition of the Maestro Ryan Cayabyab and performed by Smokey Mountain — and the latest one, "Unbreak My Heart," which is an original of Toni Braxton. I was informed that I will be collaborating with another Curve artist for another song.

At the moment, since I am in Singapore, I maintain doing livestream in some social media platforms like Kumu and Tiktok. I recently started my skin care business named Niveon which caters to all ages in maintaining the elasticity and integrity of the skin.

Rio Ambrosio had a successful corporate career before retiring at the age of 55 and pursuing a new path in the art world.

He is a chemical engineer with post-graduate studies from De La Salle University and the Asian Institute of Management, and he has worked for multinational companies for over four decades. He worked for American, Swiss, and French companies before being recruited by one of the most prominent Indonesian companies, where he served as the marketing manager for Asia.

Later, he was headhunted by BASF Philippines, one of the largest German chemical companies next to Bayer, where he served as the senior vice president, handling the marketing operations.

Additionally, he was offered a position at one of the oldest distributors in the Philippines, established in 1898, the Connell Bros. Co. Philippines. Ambrosio rose through the ranks and eventually became the president and general manager until his retirement in 2005.

Indeed, Ambrosio has had a remarkable corporate life but after working hard for several decades in the corporate world, Ambrosio decided to retire and pursue his passion for art. Though he is still young and productive, he no longer wants to continue doing the same things that he used to do. He feels it's time to take a break and enjoy the finer things in life.

Ambrosio has always been interested in art and has been a minor art collector for many years. Over time, he has accumulated several collections that he is proud of.

As a result, he decided to establish the Artes Orientes Art Gallery, which showcases his collections and other works of art that he admires.

Ambrosio's art gallery is not just a place to display art but a space where art enthusiasts can come together and appreciate the beauty of art. He hopes his gallery will be a hub for artists and collectors alike, where they can share their knowledge and passion for art.

Ambrosio's decision to establish Artes Orientes Art Gallery is an exciting new chapter in his life. He is now enjoying his retirement, pursuing his passion for art, and sharing his love for art with others.

Ambrosio also emphasizes his advocacy of giving chances to young, up-and-coming, talented artists by showcasing their works at his venue, providing them the right place and proper recognition.

Ambrosio has a diverse taste in art and doesn't focus on a particular genre. Instead, he collects what catches his attention. Even when selecting artworks to be exhibited in his gallery, he relies on his instinct.

Additionally, he is not a fan of Macab, which can refer to something disturbing, gruesome, or unsettling, often relating to death or the dark. Instead, he is more attracted to positive subjects in contemporary art and particularly likes abstraction.

He holds a positive view of the current art scene. He acknowledges the diverse styles and the emergence of modern artists, which makes today's art even more vibrant. He believes that art has become mainstream nowadays and is now seen as a part of an investment portfolio, which is a big contrast to the past when art was only affordable to the wealthy and famous.

Ambrosio is a great conversationalist who has a broad knowledge of various topics. He even mentioned talks that the Bureau of Internal Revenue (BIR) plans to impose taxes on artworks. As a member of the committee on galleries under NCCA, they plan to develop a position paper and lobby where this move is coming from and why and wonder how the government supports the art industry.

The gallery owner also advises young artists to treat their art as a business and follow schedules strictly. They should also make sure their artworks are correctly displayed in art galleries. However, he emphasizes that artists should maintain their self-respect by dealing professionally with galleries.

This brilliant retiree, whose love of art is immeasurable, has much to share, both with the young generation of artists and the art scene. Together with the NCCA, they are presently formulating procedures to ensure a more successful Manila Art, which is now being prepared.

Indeed, Rio Ambrosio successfully embraced his retirement, moving from the demanding corporate life to a relaxed yet fulfilling art life.

The celebration of National Literature Month continues in May as the first-ever Mindanao Creative Non-fiction Writing Competition begins accepting entries.

Led by the National Commission for Culture and the Arts (NCCA), in collaboration with the Komisyon ng Wikang Filipino (KWF) and the National Book Development Board (NBDB), participants are invited to explore the theme of "Literature and Peace" or "Panitikan at Kapayapaan."

Encouraging and empowering Mindanaoan writers, the competition comprises two categories: Senior High School and College level, welcoming students currently enrolled in any public or private educational institution in Mindanao.

Participants are required to submit original works. Entries will undergo scrutiny through both manual and artificial intelligence (AI) checks. The submissions are open until May 17, and the announcement of winners will be on May 24.

Participants will have the opportunity to win the grand prize of P10,000.

Entries may be submitted at bit.ly/keamananessaycontest.

Hong Kong consistently ranks as one of the most popular destinations for Filipinos traveling abroad. Its appeal lies not just in its proximity — a mere two-hour plane ride from the Philippines — but also in its diverse array of attractions. From shopping to outdoor adventures, sampling local cuisine to vibrant nightlife and thrilling theme parks, there's something for everyone.

For those exploring beyond the Philippines for the first time, Hong Kong offers an excellent introduction to different cultures and experiences. Among the must-not-miss activities when visiting Hong Kong is, of course, Disneyland. It entertains both kids and adults with its thrilling rides, and visitors have the opportunity to meet beloved Disney characters like Mickey and friends, the iconic Disney princesses, and more.

While it has gained fame for its classic rides such as "It's a Small World," Star Wars' Hyperspace Mountain, Jungle River Cruise, and Toy Story Land, among other enchanting areas of the magical kingdom, Disneyland continues to offer new attractions and activities to keep people coming back and excited every time.

Battle with Marvel heroes

For Marvel fans, Hong Kong Disneyland recently launched the "Marvel Season of Super Heroes," where guests can have up-close encounters with their favorite Marvel Super Heroes in Tomorrowland and perhaps even receive some pointers from the top S.H.I.E.L.D. agents.

There's also an all-new daytime show dubbed "Find Your Super Power: Battle for Stark Expo!" Here, Iron Man, Spider-Man, Star-Lord, Thor, and Captain Marvel, and other heroes engage in combat against Hydra forces as attempt steal the Arc Reactor.

As night falls, witness the Marvel Super Heroes as they take on Hydra's drones in the skies with the spectacular new nighttime drone show, "Find Your Super Power: Battle in the Sky," showcasing extraordinary aerial maneuvers never seen before.

Ongoing until June 10, these shows guarantee to leave viewers feeling both braver and in awe.

Guests then can head to the Iron Man Experience where they can take flight in the Iron Wing above the skies of Hong Kong. For those seeking more daring adventures, boarding the combat vehicle, the Dagger, and joining Ant-Man and The Wasp: Nano Battle! is a must.

Of course, what's an experience like without taking home some heroic merchandise? Suit up in brand-new and unique Marvel-themed gear, including apparel, tote bags, accessories, interactive toys, and more available at Expo Shop and Pavilion Gifts. Here, guests can also take pictures with life-size statues of Iron Man, Captain America, and Ant-Man.

Stay fueled with a series of new Marvel-themed treats all around the resort, including Iron Man Burger Combo at Starliner Diner. Starting mid-May, guests can enjoy brand-new Coca-Cola No Sugar in limited pack designs featuring Marvel Super Heroes with the burger combo or purchase at outdoor vending cart around the park. Do not miss the Avengers' Sipper with Super Soda, featuring interchangeable Iron Man, Captain America, and Spider-Man icons, Quantum Hot Dog, the Hulked-out Super Power Churro, and the new Spider Man Popcorn Bucket, among many other treats.

Fans who are extending their heroic adventures by staying at the resort hotels, take the challenge to try the enhanced Marvel-themed menu featuring the Marvel Heroes Mini Burger Skewers and the mightiest Ragnarok Medley at The Archivist at Disney's Hollywood Hotel.

Other park offerings

If soaking up all the Marvel-themed excitement in person isn't enough, visitors can take their Hong Kong Disneyland adventure to the next level by diving into the World of Frozen.

Launched in November 2023, this enchanting wonderland is the first and largest Frozen-themed attraction, immersing guests in a magical Scandinavian wonderland.

Don't miss out on must-try attractions like The Frozen Ever After boat ride, Oaken's family-friendly carnival coaster, and the interactive Playhouse in the Woods for a truly enchanting experience.

Meanwhile, the Disney character Duffy has soared in popularity like never before. Duffy the Disney Bear is Mickey Mouse's cherished teddy bear, affectionately known as "the bear of happiness and luck." In celebration of this, Hong Kong Disneyland designated March 15 to June 10 as Duffy and Friends Play Days.

During this event, Duffy and Friends take center stage for their annual fan festival, featuring "The Joy of Sharing" Show in front of the Castle of Magical Dreams. The venue transforms into a vibrant lawn, creating the perfect setting for an adorable picnic. Duffy, ShellieMay, Gelatoni, StellaLou, CookieAnn, 'Olu Mel, and LinaBell don their new spring outfits as they share delightful candies and even sweeter moments, accompanied by a charming musical score.

Visitors can then immerse themselves in the even-sweeter "Duffy and Friends Play House" experience, where they can indulge in fantasy and engage in interactive games while enjoying new thematic decorations.

On the other hand, for those who enjoy international cuisines, Explorer's Club Restaurant at Hong Kong Disneyland Resort introduces upgraded "Explorer's Semi-Buffet" featuring a selection of international cuisines savored by beloved Disney Character, Lord Henry Mystic.

From appetizers, salads, main courses to desserts, every dish reflects cultural influences across the globe, including Russian eggplant Caviar, Egyptian salad, Moroccan Lemon Cake, and more. Guests can also embark on a flavorful discovery in the restaurant's five themed rooms, all while delving into the stories of Lord Henry Mystic behind the brand-new menu.

Discovering all these wonders of Hong Kong Disneyland Resort is made simpler with Klook. With the app, travelers can choose from a variety of package options, enjoy premier access, and snag discounted meal vouchers.

'Under Parallel Skies' day tour

Apart from the Hong Kong Disneyland and other attractions and experiences Klook offers to their users, the go-to app for travel and leisure has also unveiled the new "Under Parallel Skies" day tour.

"Under Parallel Skies" is a culturally diverse romantic drama film starring Philippines' very own Janella Salvador and Thailand's Win Metawin directed by Sigrid Andrea Bernardo.

In the film, Thai Bachelor Parin (Metawin) heads to Hong Kong to find his missing mother. There he meets a Filipino hotel employee, Iris (Salvador), and together they find romance, joy, heartbreak, and healing as their story unfolds against a mix of well-loved, and lesser-known but nonetheless awe-inspiring destinations in Hong Kong.

"The idea is to work with the government, the Hong Kong Tourism Board, to be able to develop tours featuring the filming locations and other off the beat experiences here in Hong Kong. So we're going a step further, going beyond what people normally do here in Hong Kong," said Michelle Ho, general manager of Klook Philippines and Thailand.

Here's what can be expected in the tour inspired by Iris and Parin's story:

Lantau Island day tour. The adventure starts with a cable car ride that connects Tung Chung and Ngong Ping on Lantau Island which is the gateway to culturally-rich Hong Kong attractions such as Ngong Ping Village, Po Lin Monastery, and Big Buddha.

Take the thrill up a notch by boarding the cable cars that feature 360-degree views of the South China Sea, the mountainous terrains of Lantau Island, and the Ngong Ping Plateau.

Inspired by the touching events in the movie, this tour also explores the quaint Tai O Village, a peaceful floating village, which will then be followed by an exciting session of dolphin-watching.

City-guided tour. This tour begins with a stroll through the streets of Little Thailand, a beautiful community painted in Thai culture, cuisine, and remembrances. Next stop is the Tin Hau Temple, located in the bustling Yau Ma Tei and a Declared Monument where fishermen flock to worship the Goddess of the Sea. Moving to the Bird Market is like being greeted by a colorful parade of exotic feathers, bound to catch your eye.

A celebration of some of Hong Kong's most celebrated names, the Avenue of Stars is next on the tour. This avenue has some of the best views of the breathtaking Victoria Harbour. What's exciting about this tour is the voyage on the Star Ferry which crosses the stunning Victoria Harbour with views of the city's majestic skyscrapers. Concluding this tour is the unassumingly symbolic Causeway Bay Sogo Crossing where the many roads of Hong Kong quickly intersect and transition, all amidst the bustling culture of Hong Kong.

After a full day of touring, come home to the perfect accommodation for rest and relaxation. Discover a scenic mix of luxury and lush landscapes that reside in the nature-surrounded community of Sheraton Hong Kong Tung Chung Hotel. Fully equipped with the best amenities and nearby to many eateries and the MTR, it's a well-rounded hotel to follow up that perfect tour.

Indeed, whether it's exploring new cultures, embarking on daring escapades, or simply savoring the flavors of international cuisines, there are endless possibilities when booking with Klook.

As society moves ever closer to the age of full-blown Artificial Intelligence, what was initially a sense of uncertainty and unease among people seems to be bordering on panic and fear. Many worry about losing their jobs, privacy, and even their autonomy. Popular media's portrayal of AI as man's ultimate invention and most devastating downfall only works to deepen the anxiety, teasing even the most level-headed minds to wonder if it truly has the potential to take over the world.

Lawyer and technocrat Ivan John Enrile Uy is highly aware of how daunting the concept of Artificial Intelligence can be across different parts of the populace and, more so, its impending reality in the Philippines once the West completes its AI integration. For much as he has been passionate about technology all his life — evolving from a fascinated fan to a computer hobbyist and ultimately the country's foremost IT expert — Uy's childhood, his credentials and convictions afford him the clarity to distinguish between the good and the bad that AI can bring.

Fortunately, Uy currently heads the Philippine government's relatively young Department of Information, Communication and Technology (DICT). Since his appointment to the agency as Secretary in October 2022, his leadership has consistently been marked by a unique combination of technological expertise, compassion, and a deep sense of responsibility. In bearing these qualities, he emerges not only as an ideal figure but also as a reassuring authority to guide Filipinos into the age of Artificial Intelligence.

In this exclusive interview with The Sunday Times Magazine, Secretary Uy's unwavering commitment to assisting other government agencies, the matrix of society's industries, and Filipino families in far-flung barrios toward a genuinely advantageous AI integration compellingly shines through. Through his words and deeds, he embodies a vision of progress tempered by empathy, offering a hopeful glimpse into a future where technology is not something to fear but serves as a force for good.

Humanity vs. technology

While he admittedly geeks out on the endlessly stunning possibilities of technology to this day, Secretary Uy's extensive 30-year experience in Information and Communications Technology is tangible proof that he will always choose humanity's good over maximizing the potential of any new technology.

Famously credited with developing and integrating the first computer program ever used by the Supreme Court in the early 1990s — the Case Administration System, which provided the justices with the complete status and information of any lawsuit with a simple search — Uy quickly became the go-to guy for ushering modernization across the different branches and agencies of government.

In turn, he was given access to elite training courses abroad, which he could only dream of as a wide-eyed tech geek in his youth. Mainly from the United States, Uy received training under the State Department concerning the federal courts, FBI, digital forensics and cyber investigation. Yet as his technological know-how and skill set grew, becoming increasingly specialized, Uy was never tempted to use them for personal gain or to wield power.

This principle was cemented in him very early on in life, at the same time, he was discovering a fascination with what he likes to describe as "possibilities within the realm of imagination."

"I was a sci-fi fan, so I was interested in space, yes, but it was things like seeing the fax machine before it was even invented on 'Star Trek' that excited me," Uy recalled. "In other words, I was drawn to technology without even knowing it, but I was also very sure that more possibilities like that, like building the Apollo and so on, were just around the corner and would have such an impact on humanity."

Born into a highly regarded family of doctors in Misamis Oriental, Uy's traditional and God-centered upbringing instilled in him a balanced attitude toward technology. While he had a strong desire to create the next mind-blowing invention of his generation, his inclination to assist others ultimately prevailed.

"I was inspired by my dad. He was a doctor in the province who devoted much of his practice to charity," recalled the proud son.

The elder Uy was so compassionate and generous, in fact, that the Secretary had to laugh at the memory of his mother angrily reminding his father that she couldn't pay for the tuition of a brood of seven with eggs, fruits, rice and all sorts of produce his patients would thank him with for treating them for free.

"All the same, what stuck with me was how much he was able to help people. Even as a boy, I felt it was a very noble cause. I realized that if we want to make an impact in our lives and society, it's really in helping those who have less in life. These were the values my parents imparted to me, and I've taken them everywhere I go."

Lured by law

When the time came for the Misamis-rooted techie to pursue a college degree, it still surprises many that Uy himself chose to pursue law.

"Back then, no courses involved technology in a way that excited me. I couldn't find it in any of the sciences, such as electrical, civil, or communications engineering. Like I said, I was dwelling on technology in the realm of imagination, and no course seemed to give me that option," Uy related.

The situation was not a dilemma for the incoming freshman, though. It was enough for him to pursue technology as a hobby back then. At the time, he was already starting to tinker with any available prototype in Greenhills Virra Mall that would eventually become the world's first personal computer.

Uy maintained his decision to go into law, driven by his desire to help others, just like his father did. He believed that law was a profession where he could significantly impact people's lives.

"I don't like blood, so becoming a doctor like him and the rest of my family was out of the question," Uy laughed again.

"But growing up — because my father also ran a pharmacy and eventually went into the rice milling business — he would tell me stories about being harassed by some government employees. Or about people who try to exploit other people, women who were raped and all sorts of injustices and crimes I was old enough to know about.

"And then, of course, when I got into Ateneo for my pre-law, we were exposed to Liberation Theology, where I got to see firsthand the stories my father had told me."

Confident he was on the right path, Uy eventually graduated from the preeminent University of the Philippines Law School, where he was in a for a surprise.

Unlikely combination

Whether or not some part of Uy knew that pursuing law would lead him back to his love for technology really doesn't matter in the grand scheme of things. What is more compelling is the fact that had he pursued another degree, he would have never met the late and legendary Supreme Court Chief Justice Marcelo Fernan, who became the conduit that trusted the self-taught techie and new law graduate and put him to task in modernizing the Philippine Judiciary.

Granted that law is hardly the first association that comes to mind when discussing technology, Uy certainly had the good fortune of bridging both worlds together thanks to fate. True enough, it has made all the difference in his ensuing career, where he specializes in ICT and its impact on law, justice, and governmental institutions.

Given Uy's unique vantage point from the two opposing fields, he seems well-prepared to tackle the advent of AI DICT head with policy-making deemed the most effective safeguard for society against the inevitable threats of Artificial Intelligence.

In fact, Uy wasted no time identifying the BPO sector as being most susceptible to AI's impact. Even though the technology capable of replacing call center agents has yet to reach the Philippines, Uy quickly sprung into action by initiating proactive measures to mitigate the potential impact of AI on the BPO sector and advocated for investing in upskilling and reskilling programs to equip workers with the necessary tools for thriving in an AI-driven economy.

While these efforts are ongoing, Uy continues to leverage his expertise in law and technology toward the goal of ensuring the Philippines remains competitive in the global market and retains its No. 1 standing as the world's go-to destination for all BPO needs.

When asked what attitude people should assume toward AI, the Secretary said, "AI is already being adopted in many sectors. In many of my talks, I've always explained that AI is just like any technology. It's good, and it's bad. It can be used to build, destroy, help, impair, or block.

"So, before you do whatever you want with it, you must understand it first. And that's where the DICT is doing a lot of pushing and educating people on what AI is.

"Our goal is to separate fantasy from reality because there's just so much conversation and discussion out there that sometimes the topic gets muddled, and people are confused about how AI is supposed to happen.

"So rather than fear AI, awareness is key for us to identify its potential and benefits and mitigate its threats, like we are doing now with our BPO sector."

Onward march

As a relatively young department, the DICT faces numerous challenges as it strives to fulfill its duties to the best of its abilities.

Yet, he is inspired to keep going when he considers how much the agency has accomplished under his leadership in the first two years of the Marcos Administration.

To begin with, he has already delivered 70 percent of President Ferdinand Marcos Jr.'s marching orders upon his appointment to prioritize internet connectivity for all Filipinos.

"After meeting Elon Musk, we were able to deploy Star Link to 13,000 sites, providing connectivity to most of the far-flung areas left behind," Uy reported.

By the way, under his watch, the DICT doesn't just deliver much-needed connectivity to disenfranchised Filipinos and leave them to figure out how to use the technology. Rather, he instructs teams to go to every site they have connected to hold classes for the community and teach them how to use the internet in their own dialects.

As for the goal of digitizing government services, he admits that many agencies still refuse DICT's assistance because of turf-centered attitudes.

His unrelenting perseverance, however, turns his frustration into motivation when he discovers agencies that welcome the DICT's expertise in creating and designing the appropriate technology for their specific requirements. He cites the eGov and eTravel applications as examples of such successful collaborations.

"I find it inspiring to witness the transformation that happens in these agencies. How they are encouraged by the changes, especially because they feel the public's appreciation for delivering on their mandate with greater efficiency, effectiveness, and speed."

Deservingly, Uy's efforts have not gone unnoticed, with the World Bank now endorsing the Philippines as a model for other nations that are just beginning their journey toward digitization.

With all these experiences — the achievements along with the disappointments — only serving to to steel Uy's dedication to his beliefs and vision of leveraging technology as a catalyst for inclusive development, the DICT Secretary resoundingly reaffirmed his pledge to ensure that no Filipino is left behind in the digital era.

Humble as he is helpful, Secretary Uy concluded the interview by explaining why he is eager and confident to march on toward the age of AI.

"I see His hand in all of this," he meaningfully said. "In each step that I take, I see him guiding and directing me. I see the support that He provides amid all the challenges that come my way. That is why today, I have a strong sense of mission and a strong sense of gratitude that I was given this chance, this opportunity to help in a more impactful way, in a scale that I'm sure my dad never imagined."

DICT Secretary Ivan John Uy is set to represent the Philippines in a panel discussion at the inaugural AI Expo for National Competitiveness, hosted by the Special Competitive Studies Project in Washington, D.C., on May 7 and 8.

Given the theme, "Global Approaches to Leveraging AI and Tech for Competitiveness," Uy, along with Audrey Tang, Taiwan's Minister of Digital Affairs, and Josephine Teo, Singapore's Minister for Communications and Information and Second Minister for Home Affairs, have been invited to share how their respective governments are harnessing the opportunities and mitigating the risks that AI and other emerging technologies offer for their citizens and their nations.

The discussion will be moderated by Joe Wang of the Special Competitive Studies Project.

Uy will also participate in a second panel discussion titled "Bridging Digital Divides: Aligning Public and Private Action for Technology and Global Development." The special event will see panelists from government, industry, and academia unpacking the roles of public and private sector actors in leveraging technology to advance sustainable development goals, leapfrog traditional development hurdles, promote digital freedom, and support inclusive growth in developing economies worldwide.

For this, Uy will be featured among a prominent lineup of speakers, which also includes Obiageli "Oby" Ezekwesili, former Nigerian Minister of Education and former Vice President for the World Bank; Shikoh Gitau, Founder and CEO, Qhala; Bonnie Glick, former Deputy Administrator and COO, US Agency for International Development; Fiona Hill CBE, founder of Future Resilience Forum, and former Downing Street Chief-of-Staff; Shanthi Kalathil, Board Member of NDI, and former Deputy Assistant to the president and coordinator for Democracy and Human Rights, White House; Leopoldo Lopez, co-founder of World Liberty Congress; Stephen Ozoigbo, Head of Government Partnerships and Ecosystems, ARM; and Alex Tsado, founder of Alliance for AI.

Wang will likewise serve as moderator in this discussion.

Washington, D.C., is all set to host the inaugural AI Expo for National Competitiveness this week. The US capital expects to convene 11,000 participants and visitors from the private sector, governments, academia, and the public sector from around the world to spark an exchange of groundbreaking ideas and initiatives in Artificial Intelligence and emerging technologies.

The expo will be a space to educate the public about the latest innovations and forge new avenues for collaboration.

The nonprofit institution Special Competitive Studies Project (SCSP) is responsible for mounting the first AI Expo. SCSP is known as the premier institution in Washington, D.C., dedicated to working on technology within the framework of national competitiveness. Founded in 2021 as a bipartisan, not-for-profit project, the SCSP is focused on strengthening the competitiveness of the United States alongside its allies and partners in an era where AI and other technologies are poised to reshape national security, economies, and societies.

The team of SCSP is comprised of:

Ylli Bajraktari, President and CEO. Before launching SCSP, Bajraktari served as the Executive Director of the National Security Commission on Artificial Intelligence. He also previously served as Chief of Staff to the National Security Advisor LTG H.R. McMaster held various leadership roles for former Deputy Secretary of Defense Robert Work and served as Special Assistant to the Chairman of the Joint Chiefs of Staff, General Dempsey. Initially joining the Department of Defense in 2010, he served in the Office of the Undersecretary for Policy as a country director for Afghanistan and later India. Bajraktari is the recipient of the Department of Defense Distinguished Civilian Service Medal – the highest award given to career DoD civilian employees.

Angela Arriola Ponmakha, Vice President and Chief of Staff. Before joining SCSP, Arriola Ponmakha was the Director of Operations and Designated Federal Officer for the National Security Commission on Artificial Intelligence. She has also served as the Chief of Staff for the Defense Innovation Unit and in various government and private sector positions, leading organizational management and operations staff. Born to immigrant Filipino parents in the United States, it was through the efforts of Arriola-Ponmakha that the Philippines' DICT Secretary Ivan John Uy secured an invitation to speak at the AI Expo, paving the way for Philippine representation at a momentous global event.

Joe Wang, Senior Advisor. Wang has previously served in the National Security Council as Director for Russia and as Deputy Senior Director for Europe and Russia. At the U.S. Department of State, he held the posts of Senior Advisor to the Coordinator for Sanctions Policy and Special Assistant to the Undersecretary of State for Political Affairs, among other assignments in the Bureau of European and Eurasian Affairs. He was a Peace Corps Volunteer in Kyrgyzstan and graduated from the University of Connecticut with a BA in Economics and Psychology, and from Georgetown University with a Master of Science in Foreign Service (MSFS).

Tara Rigler, Senior Director of Communications and Public Affairs. Rigler was the Director of Strategy, Communication and Engagement at the National Security Commission on Artificial Intelligence (NSCAI). She has also been appointed to the Senior Executive Service and served as the Assistant Director for Communications for the Bureau of Land Management in addition to many other senior communications roles over her 22 years of federal service.

With 12 new scripts, "Virgin Labfest (VLF) 19: Pintog" promises narratives dealing with the complex layers of human experience. Creating a safe environment festival has planted the seeds for a bountiful harvest with works coming to full bloom, ready to burst (pintog) onstage.

"In Vengeance of the Gods" by Hans Pieter Arao, a person is possessed in public. The town mayor's chief of staff claims to know the reason behind the phenomenon and tries to convince the father of the possessed to join him in his quest for justice.

"Ningas" by Lino Balmes is about a woman asking a man for a simple favor: to give her a name.

"Love on the Brain" by Rick Patriarca follows the story of ex-lovers who realize how grueling modern gay dating can be when a former flame discovers that they contracted HIV.

Set during the Covid-19 delta wave in 2021, "Pagkapit sa Hangin" by Joshua Lim So narrates what happens when a relative of a patient catches the scheme of a doctor and his nurses working in a public hospital to limit the oxygen supply of patients nearing their deaths.

"Lipistick at Pulbura" by Ara Jenika Vinzon begins with a censor for the Japanese planning to unearth her guerilla fighter friend. In the printing press where she works, the lead character gathers charred scraps of paper like puzzle pieces, revealing her final memory of their friendship before the battle.

In "The Foxtrot" by Chesie Galvez-Cariño, dancing highlights the complexities of relationships. The play revolves around a middle-aged matron of substantial means and her respectable dance instructor who rehearses for an amateur ballroom dance competition.

"Sa Babaeng Lahat" by Elise Santos is about three young girls who reflect on their relationships with religion, sexuality, and themselves.

"Ang Munting Liwanag sa Madilim na Sulok ng Serbeserya sa Maynila" by Dustin Celestino recounts the visit of two psychology professors in a beer house, and the conversation they have on love, marriage, and privilege.

In "Si Hesus Na'a sa US" by Neil Azcuna, two separated lovers revisit their past on their way to the airport as one of them contemplates a new lover's plan to immigrate to the United States.

In "Sentenaryo" by Herlyn Alegre, relatives arrive at a centenarian's birthday celebration, hoping they will get a share of his free government money. But what happens when the celebrant dies before the arrival of the barangay captain who will give the money?

"The Divine Family" by Dip Mariposque navigates the complex dynamic of family membersrs when they are forced to stay under one roof because of the pandemic.

"Identite" by Jhudiel Clare Sosa scrutinizes the complicated relationship between a daughter and mother.

Three plays from VLF 18: Hitik in 2023 will be revisited in this year's edition: "Ang Awit Ng Dalagang Marmol" by Andrew Estacio, "Dominador Gonzales: National Artist" by Dingdong Novenario, and "Room 209" by Zheg Arban.

VLF 19: Pintog runs from June 12 to 30 4, at the Tanghalang Ignacio Gimenez (CCP Blackbox Theater). Theater shows will be at 2 p.m., 5 p.m., and 8 p.m. For more details, visit the official social media accounts of CCP, Tanghalang Pilipino, and Writers' Bloc.

When "Buruguduystunstugudunstuy: Ang Parokya ni Edgar Musical," was first presented to the media, the cast and creators remained secretive about its plot. All they would say was, "it's an out-of-this-world, epic adventure of four women who share the same birthday on December 6." Following a packed gala night at Newport Performing Arts Theater on May 2, it was clear to The Sunday Times Magazine why defining the narrative was tricky — it was nothing short of ordinary.

In the musical, the audience will get to know the high school student Aiza (played by Kyle Napuli), the matron Norma (Tex Ordoñez-de Leon), the scavenger Jen (Mayrnor Madamesila), and the lady guard Girlie (Natasha Cabrera) who are having the strangest birthday of their lives. Apart from facing a crisis unique to themselves, a mysterious and persistent drumbeat beckons them to come together unexpectedly.

As they run away from the real world and pursue this mysterious rhythm pounding their ears, they eventually find themselves in a desolate place, standing in front of a portal, which is literally that: a portal to the quirky, surreal world of 'Parokya.'

In this fantastic, wild world, they meet peculiar characters, including the Bigoltilyos who help them confront their own personal transformations, face their demons and discover the mystery of the drums.

The approach that director Dexter Martinez Santos, co-artistic directors Menchu-Lauchengco-Yulo and Michael Stuart Williams, and playwright Rody Vera took in weaving a story that would complement the music catalog of Parokya ni Edgar could not be more fitting.

It seems the story doesn't take itself too seriously — in the best way possible — just as the band doesn't take itself too seriously.

As frontman Chito Miranda repeatedly said in interviews, "Our perception of our band up to now is that of an amateur garage band — we're just a bunch of guys toying with our guitars... It's not false humility, it's just that we don't have the trust when it comes to our band and our music."

But when it comes to staging the musical, Newport World Resorts meant serious business, tapping the best Filipino talents to set the best music, stage, costume and lights possible.

Buruguduystunstugudunstuy is the 10th major theatrical offering from Newport World Resorts, and their most expensive Filipino production to date.

"We spared no expense because the Filipino audience deserves the best. Gusto naming makita na kung kaya nila sa Broadway, kaya rin natin dito sa Newport (We want to see to it that if others can do it in Broadway, we can also do it here in Newport)," Newport World Resorts president and CEO Kingson Sian said during the gala night.

Among those who first witnessed the magic of the musical are all six band members of Parokya ni Edgar.

Miranda expressed his excitement after witnessing their songs come to life on stage.

"Sobrang overwhelming lang 'yung experience because naging audience kami sa isang show na talagang out of this world (The experience was incredibly overwhelming because we became the audience in a show that was truly out of this world).

"They were using our songs, and they added new life and new meaning to them," Miranda added.

Buruguduystunstugudunstuy: Ang Parokya ni Edgar Musical is one magical ride every audience member will enjoy, but as Newport World Resorts reminded, viewer discretion is advised. The production contains strobe lighting, strong language, references to mental health issues, and sexual content. Children who are 13 years old and under must be accompanied by their legal guardian to sign a waiver prior entry to the venue.

Tickets to the musical are available at all TicketWorld and SM Tickets outlets, HelixPay and Newport World Resorts Box Office with prices from P1,105 to P5,525.

Global streaming giant Netflix, in collaboration with Fire and Ice Sales, is thrilled to announce the worldwide premiere of Brillante Mendoza's latest masterwork, "Pula." Now streaming, this poignant narrative unfolds in the devoutly Catholic town of Pula, drawing viewers into a complex web of faith, fanaticism and vigilante justice.

In "Pula" the tranquil life of Senior Master Sergeant Danilo Faraon, played by the versatile Coco Martin, and his family get upended by a tragic event that shakes the foundations of their close-knit community. The heinous crime of a teenage girl's murder propels Faraon into a vortex of deception, betrayal, and haunting guilt, leading him down a dark path of retribution against those he perceives to have wronged him and the townsfolk of Pula.

"Pula" unveils a compelling narrative rich with themes of faith, fanaticism, and vengeance set against the backdrop of a devout Catholic town shattered by a despicable crime.

The film showcases the talents of the renowned and multi-award-winning actor and director Coco Martin alongside the premier actress Julia Montes.

They are supported by an impressive cast, including Raymart Santiago, Lotlot De Leon, Alan Paule, Elizabeth Oropesa, Christine Bermas, Ina Alegre, and Vince Rillon. Together, they breathe life into this gripping narrative, showcasing the complexities of human nature and the consequences of unchecked vengeance.

"The premiere of 'Pula' on Netflix marks a moment of profound gratitude for me. It transcends accolades and recognition, offering the chance to connect with a global audience. Normally, after my film is showcased at prestigious festivals worldwide, people are having a hard time finding where to watch my films. Now, Netflix provides a platform for the film's story to touch hearts across the globe. My deepest satisfaction as a filmmaker comes from the knowledge that diverse audiences embrace my work. I hope that viewers not only enjoy 'Pula' but also discover a reflection of themselves in its story," director Mendoza said.

We are proud to represent Brillante Mendoza's collection of films and find Netflix as a partner to bring his compelling and gripping films to the world. He is a household name in the A-list film festival world, and he has put the Philippines on the map because of his accolades. But his films are finding a platform on Netflix, which is an opportunity for a wider audience to see these important masterpieces of Philippine cinema.

Brillante Mendoza, renowned for his socially conscious cinema, once again proves his prowess as a filmmaker with "Pula." Having won the Best Director award at the Cannes Film Festival in 2009 for his film "Kinatay," Mendoza continues to explore societal issues through his art, inviting audiences to reflect on the moral dilemmas that pervade our lives.

"Pula is my reunion project with coco Martin after almost fourteen years. Coco did a small part in 'Captive' with Isabel Huppert shown in Berlin in competition in 2012. What I really like about my collaborations with Coco is his passion, commitment, and respect not only to his craft but also to his coworkers. It's always a joy to work with artists like Coco," Mendoza said.

The world premiere of "Pula" on Netflix continues to signal a significant milestone for Philippine cinema, as it brings the unique visions of its filmmakers and the untold stories of its culture to a global platform.

Viewers are invited to witness this profound tale of moral ambiguity, crafted by one of the industry's most visionary directors and brought to the international stage by Fire and Ice Sales.

The film is now available to stream in Asia Pacific, exclusively on Netflix.

Artificial intelligence (AI) refers to the capacity of machines, particularly computer systems, to demonstrate intelligence. It is a field of research in computer science that concentrates on creating and studying techniques and software that allow machines to perceive their surroundings, learn from them, and use intelligence to take actions that raise their chances of achieving specific objectives. These machines are generally referred to as AIs.

Art competitions have seen controversies surrounding the use of AI. Some winners have been accused of copying their works from computer app outputs. The question arises: is this legal or a form of cheating?

There are only clear guidelines on this topic if the organizers classify AI-generated artwork as cheating. However, some questions must be thoroughly observed: How can one detect an AI-generated artwork if the artist is really good at realism and could produce output similar to or not better than his AI-generated reference? Is that not a mind-boggling truth?

AI-generated art has been in existence for a few years now but with recent AI apps, even beginners can create complex, abstract, or photorealistic works by simply typing a few words into a text box.

These apps have caused concerns among human artists who worry about their future prospects. They question why people would pay for art when they can generate it themselves. Additionally, these tools have sparked intense debates about the ethics of AI-generated art and have faced opposition from individuals who view these apps as a sophisticated form of plagiarism, a hi-tech cheating at that.

Many artists believe that the art world is currently witnessing the decline of artistry due to the rise of AI art. While some argue that AI can be beneficial, they contend that generating art through AI does not qualify as true artistry. Some artists say that using AI to create art is similar to using digital image manipulation tools like Photoshop. They also point out that human creativity is still necessary to develop the appropriate prompts to generate an award-winning piece.

Experts say AI is here to stay and will be improving by leaps and bounds in the years to come. The best way for organizers of art competitions is to consider creating another category for AI-generated artworks aside from the standard representational, non-representational, and sculpture categories, which would develop vibrant interests for artists and non-artists alike.

This could attract the young creative minds of today. Additionally, organizing an art competition that openly supports AI-generated artwork could spark new interests and a new future for the creative fields.

Our feature today is very young and promising violinist Alain de Asis.

Alain — a graduate of the Philippine High School for the Arts (PHSA) and the University of Santo Tomas — was mentored by famous and respected teachers including Sergio Esmilla Jr.; Regina Medina-Perez and Noel Martin.

He has won top prizes in both local and foreign music competitions such as 2nd prize at the National Music Competitions for Young Artists (Namcya) in 2023. He was soloist/member of the Ring of Fire Chamber Orchestra. He also toured with the Asian Youth Orchestra in 2019, performing with the Sun Symphony Orchestra in Vietnam, and participated in the Manila Symphony Junior Orchestra's 2018 European tour.

Due to his skills and talent, Alain has been accepted at five prestigious US institutions for his master's education namely, Cleveland Institute of Music, New England Conservatory of Music, Johns Hopkins Peabody University, San Francisco Conservatory of Music and IU Jacobs School of Music in Indiana. Alain intends to pursue his studies at the New England Conservatory of Music in Boston.

We had a chat with him recently and here is that conversation.

Why did you pick the violin as musical instrument? What is special about it?

It was in an orphanage in Marikina that I started learning the violin. I was 7 years old when I arrived, and they had a small 3/4 violin that no one was using at that time. They invited me to the Suzuki program, and we had lessons every Sunday afternoon at Concepcion in Marikina. I also studied piano at that time with a visiting Korean teacher. I did not choose the violin per se, but I will say that I am really grateful that the orphanage invited me to their program.

Despite the difficulty of playing the violin, I really loved its singing and piercing qualities. It really is an extension of the human voice, and if you practice really hard, you will be able to produce a wide array of colors, textures, intensities, or subtleties. My love for the instrument grew over the years as I learned (and am still learning) how to overcome and discover some of its secrets. The more work I put into it, the more I enjoyed playing.

What key lessons did you learn from your highly respected mentors in classical music, and how do you still apply them today?

Working with my teachers really developed me in ways I could never have imagined. My values, outlook on life, and my work ethic changed because of them.

I will summarize all I have learned into three points, one from each of my professors.

First, is to be your own teacher and learn how to teach yourself. We have music lessons once a week, and the rest of the time, we practice on our own. Professor Esmilla used to say that not everything will be taught by the teacher. He didn't like to spoon-feed us up to the very last detail, but, funnily enough, he still couldn't help micro-managing our playing. During the war, he had no teacher, and yet he was able to come to the Juilliard school to pursue his studies abroad. That's why it was very important for him that we, his students, are able to stand on our own and guide ourselves.

Second is to not be afraid to make mistakes. Since I was exposed to the beautiful repertoire of the violin, I started dreaming of being able to play these gigantic concertos and showpieces. It was with ma'am Gina that I was exposed to and forced to face my fears of playing these extremely difficult pieces and concertos. It was a struggle at first, but it made me rethink my technique in such a way that I can play well and also tackle challenging passages on the violin. I would say that if not for my professor's insistence that I do these hard pieces, I would not have grown technically and been able to play difficult pieces.

Lastly, is to dream higher and give value to the work that you do by showing utmost commitment. I have learned tons of things from sir Noel, especially in playing the violin. He is responsible for my acceptance to all the schools I applied to for a master's degree abroad, and I will forever be grateful to him. I would say that the thing that I really learned from him is that excellence in being a musician not only means playing well but also being committed. He refined my working progress in the violin in such a way that once we got to work on something, I had no more reason to be afraid of playing it in public or a recording.

What motivates you to join music competitions and to apply for a music scholarship overseas?During my senior high school and college studies, I lived independently without financial support because because both my parents were gone. I was very lucky to receive full scholarships but I still had to work to earn money for my expenses. I played gigs with different groups, orchestras, and taught students to support myself. Joining competitions was another way to earn and improve my craft.

I want to study abroad to improve my skills and fulfill my dream of becoming an excellent teacher. To me, a nurturing musical environment and exceptional teachers are crucial for a musician's growth and development. I admire the level of music-making in the United States, and I have always dreamt of being able to play and study there. All my teachers studied abroad, and they always have tons of things to talk about regarding their experiences, meeting amazing musicians, and playing memorable concerts with them.

After studying, I want to go back to the Philippines not just to teach but also to contribute to the development of Violin Pedagogical studies.

One of my observations is that there is a big gap among students in terms of being able to play a challenging piece. Not everyone can play a difficult concerto because of tension or wrong violin setup, and students get discouraged because of this.

I believe that everyone should be able to play the pieces that they like. There is a system, a way of doing it and I would love to be able to teach that too.

***

To learn more about Alain's musical activities and ways to support his international studies, visit his Facebook account (Alain Asis) or send him at email at alendeasis28@gmail.com.

Alongside the theme "Ang Panitikan at Kapayapaan," National Literature Month (NLM) 2024 introduced a new flagship event, led by the National Commission for Culture and the Arts (NCCA), Komisyon sa Wikang Filipino (KWF), and National Book Development Board (NBDB).

Pistang PANITIKolab organized various literary groups and institutions across the country, embodying collaboration derived from the "Kolab."

Throughout April, three major forums took place at different universities in Luzon:"Tuwid ang Lakad, Tatlo ang Paa" at the Polytechnic University of the Philippines; "Panitikan at Kapayapaan" at Bulacan State University (BSU) – Malolos; and coinciding with the 50th Congress of the Unyon ng mga Manunulat ng Pilipinas (Umpil) at the Gimenez Gallery, UP Diliman.

A banquet of zines, merchandise, and artisanal products, the PanitiKolab coincided with the writer's convergence in UMPIL. PanitiKolab successfully gathered literary groups hailed from different regions. Writers, literature advocates, and students were able to participate in a brief forum led by professor Joey Baquiran and Emmanuel Jayson Bolata about establishing networks and history while visiting literary group booths.

Groups such as Angono 3/7 Poetry Society Inc., Linangan sa Imahen, Retorika, at Anyo Inc. (LIRA), Kilometer 64 Writers Collective, Societas Literati, SOX Writers Collective, Alyansa ng mga Panulat na Sumusuong – Alpas, AB Literatura Malikhaing Pagsulat, Kolehiyo ng Arte at Literatura, BSU, TulasalitaanPH, Valenzuela Arts and Literary Society, and Kalimbahin Art Community.

Reflecting on the enriching discourse at the "Reading the Readers: Education and the Power of Reading" panel held during Day 4 of the Philippine Book Festival (PBF) on April 28, insights from acclaimed writers Genevieve Asenjo, Edgar Calabia Samar, Jomar Cañega, and Joti Tabula, moderated by NCCA's National Committee on Literary Arts Head Niles Jordan Breis, shed light on Filipino reading habits and the power of education at the main stage of the World Trade Center.

As the evening and the closing of PBF drew nearer, selected writers and spoken word artists performed their literary works at the event "The Joy of Reading: Ba't Kami Nagbabasa?" on the same date and venue.

Offering a platform to foster a reading and listening nation, the featured writers and performers were Jovener Soro, Hannah Pauline Pabilonia, John Brixter Tino Ivan Jethro Mella, Andrew Felix Duria, Gerome Nicolas Dela Peña, Roan Mendoza, and Edbert Darwin Casten.

The Society of Philippine Entertainment Editors (SPEEd) concluded its annual outreach program, SPEEdOutreach 2024, bringing aid and joy to residents in Nueva Ecija and Aurora.

Led by its president Salve Asis (Pilipino Star Ngayon and Pang Masa), SPEEd officials and members visited Nampicuan, Nueva Ecija, and Dingalan, Aurora on April 4 and 5. The group provided cash donations to a parish in Nampicuan and a barangay in Dingalan.

SPEEd was not alone in this endeavor. Beautéderm Corporation, led by Rhea Anicoche-Tan, and long-time SPEEd supporter Unilab provided valuable assistance.

In Nampicuan, SPEEd partnered with the Immaculate Conception Parish Church, Diocesan Shrine of the Holy Face of Jesus, to conduct a dental mission for the youth. Spearheaded by Parochial Vicar and Head of the Promotion Committee of the church, Fr. Renz Valente, Dr. Rex Gaculais, and a team of volunteers provided free dental services to around 100 students and residents.

The outreach program also included an "Egg Caldo Caravan" sponsored by the Magtalas family: Councilor Alvin Magtalas, his wife Filipina Magtalas, and their son, "Magic Hurts" star Beaver Magtalas.

Continuing their mission in Dingalan, Aurora, SPEEd, again collaborating with the Magtalas family and Emily Grey of 428 Mercado Hotel And Resort, distributed food and medicine to a Dumagat community.SPEEd extends its sincere gratitude to its numerous sponsors and supporters who made SPEEd Outreach 2024 a success. These include Beautéderm and BlancPro, Senator Bong Revilla Jr. and Representative Lani Mercado, Ogie Alcasid, Kathryna Pimentel, Congressman Toby Tiangco, Undersecretary Nina Taduran, Local Water Utilities Administration ChairRonnie Ong, Miss Faye, Noel Ferrer, Wilson Lee Flores, Leo Dominguez, Igan Foundation, Federation of Filipino Chinese Chambers of Commerce and Industry, Inc. (FFCCCII), Tyrrone James Escalante, Colorete Clothing, Lolit Solis, and Mayor Joy Pascual.

SPEEd, composed of current and former entertainment editors from leading newspapers and online sites in the Philippines, continues its commitment to giving back to the community.

My therapist would be the first to tell you that asking the question "why is this always happening to me" never really solves anything simply because it puts the control in the situation and/ or other people involved. It makes us act from a place of hopelessness because blaming the circ*mstances and the other party leaves us with no responsibility.

Of course, after years of devouring self-help books, sermons, and other therapeutic practices (some better than other), I know this in my head but when you know what hits the fan, my heart and the many parts of me that live inside of me cling to familiar narratives that never truly serve.

First off, if you're young and you'd like to know what it is like to truly be an adult, let me burst your bubble in a way that I wish someone else had when I too was young and naive, bad things will happen. Whenever someone told me this when I was younger, I would cover my ears, pray my prayers, and follow all the rules to make sure that no, bad things won't happen to me. I've tried all the tricks and yet life continues to happen. It is only recently that I am realizing that both optimism and realism can exist in the same place. I can be hopeful for the future but also be in my feelings about circ*mstances that I've created or others created for me. At the end of the day, the best I can do is feel what I truly feel and while I can continue to ask the question as a way of processing things, I should not be stagnant in it.

In life, we need to toughen up. We need to understand that there are people whose values do not align with ours and no matter how kind we are and what our intentions are, values clash and when they do, it's not always a pretty picture. Ironically, the best way to toughen ourselves up is by being soft with ourselves. It's not constantly criticizing or berating but rather sitting with ourselves and really making space for all the feelings.

If we know who we are, nothing can be used against us, even our anger and what the world views as the 'negative' part of ourselves. In accepting that no matter how many hours you spend in self-actualization, life will continue to happen, and in accepting that, we can react better to the circ*mstances that come our way. I see it as cautiously optimistic rather than naively so (which I have been my whole life). It's not that we see situations with skepticism but rather with caution, that hey this seems like a great idea, a great friendship, but there is also a possibility that there will be challenges simply because this is life.

In understanding that life will be life but countering that with the knowledge that God is always with me brings me relief and the confidence I need to get through this with a joy that is unlike any other.

The Film Development Council of the Philippines (FDCP) awarded its highest honor to outstanding Filipino artists, film scholars, and advocates of filmmaking and restoration at the second annual Parangal ng Sining (Honor of the Arts) on April 19 at Seda Vertis North.

Hosted by actor Alden Richards and featuring musical performances from notable singers 92AD, Lara Maigue, Gian Magdangal, Aicelle Santos-Zambrano, and Bituin Escalante, Parangal ng Sining gathered some of the most influential figures and stakeholders in the local film industry to celebrate Philippine Cinema and its integral role in preserving the nation's cultural history.

Tonight, we are gathered here to honor the giants whose shoulders we stand on today. Tonight, we are celebrating the greatness in the lives and works of the guardians of our past and how, by the sheer example of their lives and accomplishments, they have become the very foundation of Filipino Cinema today," FDCP Chairperson and veteran director Jose Javier Reyes enthusiastically said in his opening remarks.

"Movies serve more than just entertainment. But what we forget is that the stories projected on that flickering screen are artifacts of who we are at any given point in our cultural history. We are the movies that we create. We are the stories that we tell. So, as we change through the times, so do our movies, reflecting how we, as a people, as an audience, and as a culture, are reflected in the stories that we watch with utmost curiosity and interest in the darkness of the cinema," Reyes continued.

"Tonight, we shall honor those who made movies more than just entertainment but turned them into treasure troves of culture. Tonight, we shall honor the guardians of tradition, the scholars of the arts, and the inspirations who have dedicated their lives to the betterment of Philippine cinema. We shall bring onstage mentors who shape generations of Filipino writers and filmmakers, as well as outstanding members of our film community whose accomplishments have opened doors, broken glass ceilings, and have become the ultimate benchmarks of achievements," he declared.

Lifetime Achievement awardees

Boots Anson-Rodrigo. A veteran actress and respected industry leader, Anson-Rodrigo is celebrated for decades of public service as the former president and current chairperson of the Movie Workers Welfare Foundation, Inc. (Mowelfund), which provides health and welfare assistance to marginalized workers.

Fellow actress Agot Isidro presented Anson-Rodrigo with the FDCP's Lifetime Achievement Award. In her acceptance speech, she dedicated her award to the members of Mowelfund for helping her uplift the indispensable workers of the Philippine film industry.

"I want to dedicate this to Mowelfund, where I've dedicated 30 years of my life – 18 of those years as president and currently as chairman. Thanks to our leaders. Thanks to our founder, former president Joseph Estrada. I also want to express my gratitude to other institutions that have given me the opportunity to serve them all these years, like the Metro Manila Film Festival, Jesuit Communication Foundation, Communication Foundation for Asia, the various schools I've served, and most recently, Caritas Manila. This is the time when, after sowing, we reap," the famed honoree said in her speech.

"I would also like to dedicate this to my family, my children, and most importantly, I want to thank my partner and supporter, who gave me a second chance in love and marriage and who has been the kindest person standing by my side all these years, my husband, Atty. King Rodrigo," she added.

Dr. Nicanor Tiongson. Tiongson is a prolific writer and educator in film scholarship and criticism. His invaluable cultural research and scholarly works on Philippine Cinema, such as The Urian Anthology and The Cinema of Manuel Conde, fostered a deeper understanding and appreciation of Filipino films among generations of film students and enthusiasts. He is a Professor Emeritus at the University of the Philippines (UP) Film Institute and one of the founding members of Manunuri ng Pelikulang Pilipino and Cinemalaya Philippine Independent Film Festival.

Cinemalaya Festival Director Chris Millado presented the Lifetime Achievement Award to Dr. Tiongson.

The awardee thanked his family, the FDCP, and the reputable cultural organizations he co-founded.

"For me personally, this award is a validation of scholarly works I published on Philippine Cinema, of my little contribution as a critic and long-time member and former chair of the Manunuri ng Pelikulang Pilipino, and of my continuing efforts to advance film scholarship among the students of the UP Film Institute and the UP College of Mass Communication," Tiongson cited.

Dr. Clodualdo "Doy" del Mundo Jr. A film scholar and historian who published crucial works on Philippine cinema and wrote the screenplays of canonical Filipino films such as Lino Brocka's "Maynila sa mga Kuko ng Liwanag" and Mike de Leon's "Kisapmata."

He is also a founding member and former chairman of Manunuri ng Pelikulang Pilipino, a film critic organization that confers the annual Gawad Urian Awards to outstanding Filipino films. He serves as the President Emeritus of the Society of Filipino Archivists for Film (Sofia) and is a staunch advocate of film archiving, believing that preserving Filipino films is essential for safeguarding Philippine culture and history.

UP Film Institute professor Patrick Campos presented the award to Del Mundo, who thanked Filipino filmmakers and artists who had been instrumental in his career as a filmmaker and screenwriter.

"I am grateful that my contributions to Filipino Cinema have been recognized. However, I must emphasize that I have accomplished what I have because I had many colleagues who believed in the same goal: to create excellent and proudly Filipino films. I did not seek nor desire this accolade, but I am happy to accept it with humility," del Mundo said, delivering his speech in Filipino.

Armando "Bing" Lao. Lao is an award-winning filmmaker and screenwriter who has written the screenplays of Chito Roño's "Itanong mo sa Buwan," Jeffrey Jeturian's "Kubrador," and Brillante Mendoza's films "Kinatay" and "Serbis." He founded the influential "Found Story" workshops and mentored Filipino filmmakers who continue his legacy in the film industry.

Despite suffering a stroke in 2022, Lao attended the event in his wheelchair with a former student, Honee Alipio, who received the Lifetime Achievement Award from Jeffrey Jeturian on stage. She paid tribute to Lao in a short speech, expressing her gratitude for decades of his invaluable mentorship and artistry, which have inspired not only her but also new generations of Filipino filmmakers.

"Thank you very much to the Film Development Council of the Philippines for the recognition bestowed upon Sir Bing Lao. Surely, if he could speak, he would thank his long-time friend, director Jeffrey Jeturian, producer Atty. Joji [Alonso], as well as director Brillante Mendoza, [actor] Coco Martin, and his former students. Thank you for acknowledging his excellence," Alipio emotionally conveyed.

Society of Filipino Archivists for Film. The Society of Filipino Archivists for Film or Sofia is an organization that remains steadfast in preserving the nation's film heritage by creating a sustainable repository of audiovisual works containing the Filipinos' cultural history.

This year's first organizational Lifetime Achievement Award was presented by UP Film Institute professor Dr. Roland Tolentino and received by Sofia's Rose Roque and Ricky Orellana.

In her acceptance speech, Roque acknowledged Sofia's founding members and partner institutions that share the organization's mission to preserve the country's audiovisual heritage.

ABS-CBN Film Restoration. The ABS-CBN Film Restoration is well-known for restoring canonical works in Philippine cinema, such as Ishmael Bernal's "Himala" and Peque Gallaga's "Oro, Plata, Mata." It has successfully restored hundreds of Filipino films and continues reintroducing classic works to new generations of Filipino audiences.

Presented by National Artist for Film and Broadcast Arts Ricky Lee, ABS-CBN Film Restoration Head Leo Katigbak received the Lifetime Achievement Award.

Katigbak expressed his gratitude to individuals who supported Sagip Pelikula's advocacy and film restoration initiatives, including Charo Santos-Concio, who also attended the awarding ceremony for support.

"What we do in Sagip Pelikula is a lot of blood, sweat, and tears. In the last few years, our number [of members] went down, so I would also like to acknowledge the five people remaining in Sagip Pelikula. But I also want to thank those who have been with us in advocating Sagip Pelikula," Katigbak said in his speech.

"Sagip Pelikula is like an unsung hero because the benefits are not immediately seen, but when a film is restored, many people are delighted, so sometimes that's the only reward we get. That's why this award means a lot to us," he added.

Gloria Romero. Lauded as the "Queen of Philippine Cinema," celebrated veteran actress Gloria Romero starred in classic films "Dalagang Ilocana," "Cofradia," "Magnifico," and "Tanging Yaman," among a long list of filmography. She remains one of the most iconic figures in the Philippine film industry.

Unable to attend Parangal ng Sining, Romero asked film critic and TV host Butch Franciso to receive FDCP's Lifetime Achievement Award. Actress Amy Perez handed the trophy to Francisco, who, in his speech, named Romero the "greatest movie queen of all time." He cited how the movie legend continues to inspire generations of Filipino actors due to her undeniable talent and professionalism.

"Ms. Gloria Romero is the greatest movie queen of all time. She has done everything in her career — comedy, drama, horror, fantasy. The only thing she hasn't done is Vivamax — that would've completed her career," joked Francisco, referring to the local streaming site for sexy movies.

"Ms. Gloria Romero would like to offer this award to her parents in heaven, Pedro Galla and Mary Borrego Miller, and her daughter Maritess Rodriguez and grandson Christopher. Let us all be grateful we have a Gloria Romero who lent her immense talent to the entertainment profession."

Posthumous Award. The FDCP conferred a Posthumous Award to film curator and archivist Teddy Co, who championed the growth of national cinema and advocated for a broader visibility of regional films through Cinema Rehiyon, a flagship project of the National Commission for Culture and the Arts (NCCA).

Butch Ibañez, head of the NCCA National Committee on Cinema, presented the Posthumous Award for Teddy Co.

The awardee was represented by his sister, Sherbie Co, who paid tribute to his love for Filipino films and his numerous contributions to developing and preserving Philippine cinema.

"He started back then with his friends in experimental cinema, way, way back. Film was his lifetime adventure – and sometimes misadventures, which seemed like puzzles for him to solve. I witnessed how he acquired old films like 'Noli Me Tángere' and 'El Filibusterismo' by Gerardo de Leon. He enjoyed exploring unknown territories, so he was one of the first to have all these rediscovered films restored. So he had to bring it out to the country and upon bringing [them] back, resell it and donate it to the Filipino people," Co shared.

"He had so many plans, but sadly, the Lord has already taken him and he had more things to do.

"I'd like to thank all of his friends for their love for films. Without them, I think he would not have been able to come up with all these things," she added.Honorary Distinction. The late actress and indisputable Philippine film industry icon Jaclyn Jose received the FDCP's Honorary Distinction for her renowned versatility. Jose cemented her legacy in mainstream and independent cinema and distinguished herself as the only Filipino to win the prestigious Cannes Film Festival Award for Best Actress.

Chairman Reyes presented the Honorary Distinction to Jose's daughter, actress Andi Eigenmann.

With the recent loss of her mother, who passed away on March 2, 2024, due to a heart attack, Eigenmann was very emotional in her speech.

Speaking in Filipino, she said, "I didn't expect to stand on this stage in front of this industry, but for my mother, Jaclyn Jose, I am happy to stand here and accept this award on her behalf. Thank you very much to the Film Development Council of the Philippines for honoring my mother.

"I am blessed to have grown up in the hands of a very talented actress who gave her life, heart, and soul to filmmaking and acting. It pains me that I am receiving this award for her, but I am sure she is smiling in heaven right now. She deserves this award, and thank you so much for that recognition. I am proud to add this to her more than 50 trophies for her excellence in acting," Eigenmann expressed.

In Memoriam. "Parangal ng Sining" also paid tribute to late Filipino artists, filmmakers, and cultural workers who made significant contributions to Philippine arts and popular culture. They are actors Robert Arevalo, Angie Ferro, Joe Gruta, Willie Nepomuceno, Tony Tantay Jr., Ronaldo Valdez and Jun Urbano; radio and TV anchor Mike Enriquez; Entertainment journalists and broadcasters Mario Bautista, Leo Bukas, Mario Dumaual and Ethel Ramos; TV executive and talent manager Deo Edrinal; and filmmakers Gil Soriano and Romy Vitug who was also a celebrated cinematographer.

The Philippines' participation in Asia Dive Expo (ADEX) Singapore, known as Asia's largest and longest-running dive expo, was a resounding success after a three-day business-to-consumer session, generating P197.2 million in combined negotiated sales leads and actual bookings. This marked more than 300 percent increase from last year's negotiated sales leads.

In addition to this feat, the country was named the Sustainable Dive Destination of the Year in recognition of its unwavering commitment to environmental conservation and sustainable practices in dive tourism."This recognition, alongside our long list of accolades celebrating the beauty of our nation, underscores our steadfast commitment to sustainable tourism practices," said Tourism Promotions Board (TPB) Chief Operating Officer Maria Margarita Montemayor Nograles. "Participation in trade fairs like ADEX provides us a platform to promote the Philippines' diverse tourism products and experiences. Moving forward, we will continue to work hand in hand with local communities and dive operators to ensure sustainable practices are followed so that our country's treasures will still be enjoyed by future generations in the years to come."

As the event's official country partner for the third consecutive year, the Philippine pavilion utilized a 90-square-meter booth space to feature some of the country's finest dive sites such as the Unesco World Heritage Site of Tubbataha Reefs Natural Park in Palawan, the famed sardine run of Moalboal in Cebu, and the marine and natural park of Apo Reef in Mindoro.

The Philippine delegation, led by the TPB, is composed of 16 exhibitors from the dive industry, accommodation, and tour operators, including Lalaguna Villas Luxury Dive Resort and Spa, Thresher Shark Divers, Infiniti Liveaboard Inc., El Galleon Resort/Asia Divers, Scandi Divers, M.Y. Resolute, Kasai Village Dive Resort, Logon Fish Buddies Diveshop, Earth Explorers Travel and Tours, Aiyanar Beach and Dive Resort, Fun & Sun Dive & Travel, Boracay Adventures Travel N Tours/Fisheye Divers, Sea Explorers Philippines, Atmosphere Resorts & Spa, Bohol Beach Club, and Atlantis Dive Resorts and Liveaboards, who offered dive and liveaboard packages in the top and emerging dive destinations in the Philippines. In a series of talks and panel discussions, Ram Yoro, a renowned underwater photographer, cave diving expert, Filipino scuba instructor, and author of Guide to Anilao, shared insights on the Best of Philippine diving to further establish and sustain the country's reputation as one of the world's best diving destinations. Other Filipinos also represented the country on several panel stages including renowned underwater photographers, Bo Mancao and Alex Santos, and distinguished sustainability advocates, Cat Trivino and Antoinette Taus.

The TPB has been participating in ADEX for more than ten years which has been significant in ensuring that Singapore remains one of the country's top source markets.

Ah the beauty of spring. Spring, with its vibrant blooms and gentle breezes, offers not just a change in weather but also an opportunity for personal growth and introspection. It's a time when nature awakens from its dormancy, reminding us of the cyclical nature of life and the endless possibilities for transformation.

For many, spring symbolizes a fresh start — a chance to shake off the remnants of the past and embrace new beginnings. Yet, amid the allure of budding flowers and longer days, it's essential to recognize that renewal extends beyond mere external changes. It's an invitation to renew our mental health, to cultivate resilience in the face of life's challenges, and to find solace in the beauty of imperfection.

In a world that often glorifies perfection and achievement, spring serves as a gentle reminder that it's okay if life doesn't unfold according to plan. Just as flowers bloom at their own pace, so too do our journeys unfold in their own time. It's a lesson in patience and self-compassion, acknowledging that growth is a gradual process fraught with setbacks and detours. Instead of striving for an idealized version of life, we can find peace in embracing the messy, imperfect reality of our existence.

Moreover, spring offers a beacon of hope amidst life's myriad challenges. It's a season that speaks to the resilience of the human spirit — the ability to endure the harshest of winters and emerge stronger on the other side. In the midst of adversity, it's natural to feel overwhelmed and disheartened. Yet, just as the sun eventually breaks through the clouds after a storm, so too can hope illuminate even the darkest of days.

Finding hope in difficult times doesn't mean ignoring the harsh realities of life or pretending that everything is perfect. Rather, it's about recognizing the inherent potential for growth and transformation, even in the face of adversity. It's about cultivating resilience and optimism, knowing that every setback is an opportunity for learning and growth.

One way to nurture our mental health and foster hope is by reconnecting with nature. Spending time outdoors, whether it's taking a leisurely stroll through a park or simply sitting in the sunshine, can have a profound impact on our well-being. Nature has a way of grounding us, reminding us of our place in the world and instilling a sense of awe and wonder.

Additionally, practicing mindfulness and self-care can help us navigate life's ups and downs with greater ease. Whether it's through meditation, journaling, or engaging in creative pursuits, taking time to nurture our inner world is essential for maintaining mental and emotional balance.

In essence, spring serves as a powerful metaphor for the journey of self-discovery and renewal. It's a reminder that growth is not always linear and that resilience is born from adversity. By embracing imperfection, cultivating hope, and prioritizing our mental health, we can navigate life's challenges with grace and emerge stronger, wiser, and more resilient than ever before. So as the world awakens to the beauty of spring, let us also awaken to the endless possibilities for growth and transformation that lie within each of us.

Globe broadens the reach of the Hapag Movement, its advocacy to alleviate involuntary hunger, as it teams up with US-based non-profit Project PEARLS, opening up the program to a global audience.

Individuals and corporations from around the United States may now donate to the Hapag Movement through Project PEARLS via www.globe.com.ph/globeofgood. Project PEARLS may issue companies and individuals required certificates for all donations received from around the US.

This partnership expands the Hapag Movement's reach to the US, a critical donation funding source that is home to more than 4 million Filipino-Americans. Globe is calling on US-based individuals and businesses to support the cause.

"Our partnership with Project PEARLS is a significant step forward that will allow us to engage a wider community of donors in our fight against hunger," said Yoly Crisanto, Globe's Chief Sustainability and Corporate Communications Officer. "With Project PEARLS' expansive network, we can accelerate positive change and help more Filipino families in need."

The Hapag Movement leverages technology and partnerships to drive collective action for sustainable development while empowering partner organizations. Since its launch in 2022, it has provided over 95,000 Filipinos with food packs and produced 2,662 livelihood training graduates, with 2,361 of them going on to start their small businesses.

"Joining forces with Globe is a dream come true for Project PEARLS," said Melissa Villa, Project PEARLS Founder and Executive Director. "It signifies a monumental shift towards leveraging Globe's technology to extend our reach and effectiveness."

Founded in 2010, Project PEARLS is dedicated to ending poverty in the Philippines through education, empowerment, nutrition, nourishment, and healthcare initiatives. It supports communities in Metro Manila, Bulacan, Cavite, Zamboanga Sibugay, and Zambales through programs such as scholarships for over 700 students, daily meals, a health clinic, literacy clubs, and women's livelihood training.

The Philippines continues to grapple with widespread hunger. According to the latest Social Weather Stations survey, 12.6% of Filipino families reported experiencing involuntary hunger in December 2023, rising from 9.8 percent in September of the same year.

The Hapag Movement keeps gaining momentum in achieving key impact milestones. With Project PEARLS opening new avenues for international engagement, the movement progresses significantly toward its goal of uplifting underserved Filipino communities.

Our featured artist today is pianist Laarni Dawn Ilan. She earned her Bachelor of Science in Computer Science (major in Computer Systems Engineering) from De La Salle University in Manila in 2011 but even after graduation, she continues to perform in piano festivals.

We had a chat with her recently and here is that conversation.

How did you become interested in music?I grew up listening to the music of Lea Salonga, Martin Nievera, the usual classics that our parents love; they were like our alarm clocks every morning when we were kids. Our parents enrolled us (siblings) to piano lessons starting at 5 years old in our province; they are very much aware of the benefits of playing an instrument for kids. We're not really a family of musicians but we love music, and all four of us siblings can play the piano and other l instruments so when we get together, we get to jam. Music is one of our ways to connect with each other even though we all have our separate careers and interests.

Fast forward in college, in DLSU, I was able to perform more outside and on campus which I really enjoyed, and I quite missed it. So after graduation, I watched "The Legends and Classics" concert with Cecile Licad, Lisa Macuja, and Lea Salonga, and it inspired me to take lessons again. The rest is history.

Why did you decide to take a course in Computer Systems Engineering and not a degree in music performance and education?Back when I was choosing the course to study for college I was really into sciences, in particular, computers. I was fascinated by the programming subject we had back in high school and so I chose to study Computer Systems Engineering at DLSU. My piano skills were not ready yet for conservatory education so I didn't consider it back then.

How are you able to balance your IT career with your love for music?I am lucky to be in a company that offers flexible work environment. My shift is midshift (from 3 p.m. to 12 midnight) and I'm able to practice in the morning. I also take lessons twice a week with professor Cecile Roxas, still before going to work. I'm lucky I have that kind of work arrangements.

What are your future plans?After my recital (held April 27), I'll still practice and prepare for future masterclasses. I have an upcoming masterclass with a visiting artist this August). I'm also going to start studying new set of dream pieces like Beethoven's Waldstein, some Liszt transcriptions, of course with my teacher's approval and prepare for the next solo recital. I will study at my own pace, with chill time/vacations in between.

All my planned recital will always be free admission and for a cause where we encourage the audience to donate to my chosen charity. My upcoming recital's chosen charity is Cancervants PH, an organization for pediatric cancer patients. This will also raise awareness to my chosen causes and will also enable us to make a difference through music. I call my recital a performance with a purpose this way.

What did you feel when you read the review of music critic and professor Antonio Hila where he said you showed much promise. Does this kind of review motivate you to excel?This was for my first solo recital and was the first review I ever received, so yes, it did motivate me to excel more, do better performances. He was my History professor back in college and I am really grateful that he was able to watch my recital back then and review. These types of feedback from a critic are very much helpful for me as a musician in that I am able to see or assess my performance from a critic's perspective as well. These reviews remind me that I should not be complacent and should always strive for an even better performance.

How can people contact you and find out your musical activities?They can reach out though this email (laarnidawn@gamil.com) or check out my YouTube channel (@laarnidawn), I upload videos every now and then.

The White Room Gallery is set to bring Filipino artistry to Europe, a first international exhibition of Seameo Innotech resident artists, following the success of "Ugma: Ugnayan ng Sining at Teknolohiya," "Don We Now our Gay Apparel," and "ScreenScapes."

Under the expert curation of professor Ruben Defeo, the groundbreaking exhibition titled, "La Mia Mente è in Europa" will be held at the Kalayaan Hall of the Philippine Consulate in Milan, Italy starting May 7.

This exhibition aims to surpass expectations and boundaries of traditional artistic methods by exploring new mediums and native materials, such as virtual reality and jute sacks, and promises to showcase a diverse and innovative range of artworks.

Professor Defeo described the upcoming exhibition as a celebration of art, culture, and collaboration.

"The major highlight of this exhibition is the downright arcane and unperturbedly banal like a decrepit bangka on the simmering green waters of Palawan, imbued with mind blowing and cogent connection, consequence and contemporaneity," he explained.

The artists collective features a talented group of individuals who have been bred and educated at the prestigious College of Fine Arts of the University of the Philippines, and has been organized by Seameo Innotech, a regional center committed to enhancing the quality of education in Southeast Asia.

Among the participating Innotech 13+1 artists are Ramon Arsenio Acevedo, Nina Ricci Alagao-Flores, Hoche Magtolis Briones, Denes Dasco, Joy Dasco, Jes Evangelista, Karen Fabie-Concepcion, Reymar Gacutan, Carmela Geisert, Jay Lozada, Nesty Angeles Ortiz Jr, Anton Quisumbing, Byron Valenzuela, Myk Velasco and Jefferson Villacruz. Joining them are actor Reb Belleza and Chelony Mercado.

In a message, former Education Secretary and Innotech director Leonor Magtolis Briones expressed support for the Milan exhibition. She said it will not only offer a feast for the eye and an immersive experience to visitors but will also give pride to Seameo Innotech as they carry the name of the center to Milan.

"They will be affirming our advocacy that technology and humanities cannot be separated. We thank our resident artists for taking the initiative to raise their own resources, to bring their own works of art to Europe, and at the same time, carry the name of Seameo Innotech, as an advocate, not only of technology, but also of the humanities," director Briones emphasized.

To rally support for their exciting journey on an international stage, the group recently held two fundraising exhibitions, "Artbound for Europe" at the Redwood Café and Artspace and "Bring Home an Artwork" at The White Room Gallery.

"La Mia Mente è in Europa" will be on display until May 12. For more information about the exhibition, visit the social media pages of The White Room Gallery or email at si.whiteroomgallery@gmail.com.

Art competitions are paramount in motivating young artists and developing their creative skills. By exposing them to the work of contemporary talent, students and neophytes alike can analyze and evaluate different techniques and outcomes, thereby significantly improving their own abilities.

Art competitions provide a theoretical analysis of how to develop individual skills, especially when limited mediums are required in the competition. One of the supporters of art competitions is the GSIS Museo ng Sining under Ryan Palad's leadership.

The GSIS Museum of Art, also known as the GSIS Museo ng Sining, is located at the GSIS Building in the Financial Center Area of Bay City. It has been organizing one of the most prestigious art competitions in the country for many years.

This art competition is now in its 19th year and has three categories — representational, non-representational (abstract) and sculpture.

The competition has been a stepping stone for talented artists, many of whom have become national and international figures. It provides a platform for participants to showcase their artistry among hundreds of other talented artists. Participants spend countless hours producing a masterpiece and persevering to create meticulous artwork that might impress the discerning judges of the competition. The ultimate goal of this art competition is to nurture and develop the best artists in their respective genres.

Some observants, however, noticed that many artworks use pouring and splattering techniques.

Pouring artists (considered by some as hobbyists) even grabbed major prizes but there are those critiques who consider this acrylic pouring technique a lesser form of art.

During a Blanza/Margate Back to Back Art exhibit at the Daloy Likha Art Gallery in Ali Mall, Cubao, Quezon City, this author had the opportunity to chat with the AAP President, Fidel Sarmiento, to discuss this dilemma.

Sarmiento confirmed that the most appropriate changes to the GSIS Annual art competition had been made.

The AAP President, officers, and the GSIS Museo ng Sining organizing committee explicitly eliminated the "pouring technique and splattering technique" under the non-representational category.

In order to ensure that hobbyists are not excluded from the art community, this author finally suggests a new category (pouring and splattering category) defined specifically for them.

The Binibining Pilipinas 2024 candidates sizzled up The Adlib Dance Studio in Araneta City for an afternoon of dance and music.
 


The Binibinis took a break from their usual pre-pageant activities and experienced a different kind of training and workout – this time, on the dancefloor.

The ladies grooved to the tune of P-pop girl group BINI's viral hit "Pantropiko" with Addlib Dance Studio's Artistic and managing director Joe Abuda and her dance crew.
 


The Binibinis set the dance floor on fire as they impress Abuda with the quick familiarization of the routines. The Adlib dance crew has chosen Bb. 3 Anthea Abanico of Lipa, Batangas, Bb. 5 Nicklyn Jutay of Ilioilo, Bb. 9 Gracelle Distura of Lucena, Bb. 17 Rendelle Ann Caraig of Los Banos, Laguna, Bb. 20 Shannen Manzano of General Santos, Bb. 27 Aleckxis Chuidian of Paranaque, and Bb. 35 Kylie Atilano of Zamboanga as standouts.

Abuda recognized the charisma and grace of the Binibinis while interpreting Pantropiko but the one who stood out among the rest and was awarded as the best-in-class dancer is Bb. 27 Aleckxis Chuidian of Parañaque.

The Cultural Center of the Philippines (CCP) is now accepting applications for the Virgin Labfest (VLF) 19 Writing Fellowship Program. Applications will be accepted until May 15, 11 p.m.

Organized by the CCP Artist Training Division, the VLF 19 Writing Fellowship Program is a two-week mentorship program on the study and practice of dramatic writing for the stage. Eight selected Writing Fellows will take part in lectures, discussions, and workshops on playwriting, script critiquing, and other aspects of theater production.

As part of the Virgin Labfest, the festival of untried, untested and unstaged one-act plays, the fellowship program provides an opportunity for aspiring playwrights to watch this year's featured plays and staged readings, as well as participate in various talkbacks and engage in conversations with established playwrights and directors.

This year, the VLF 19 Writing Fellowship Program will run from June 18 to 30, through blended learning, with some sessions to be held online via Zoom and some to be conducted onsite at the CCP Complex in Pasay City. The fellowship will culminate in a stage reading of the Writing Fellows' works on June 30.

Interested applicants must be college students or young professionals, aged 29 years old or below. They must not have had any play produced by a professional theater company, not have had any play published in a literary journal, and not have won in any national and / or international playwriting / screenwriting competition.

Applications should include: duly accomplished and signed Application Form (which may be downloaded from tinyurl.com/VLF19WFPFellowshipApplication); one to two sample stage plays, full or excerpts, not exceeding 10 pages and written in either Filipino or English; and proof of vaccination against Covid-19. For unvaccinated individuals, a negative RT-PCR test taken at least one to two days before June 18, will be required for accepted applicants.

All requirements must be submitted via email to ccp.vlfwfp@gmail.com.

Announcement of the eight selected Writing Fellows will be on May 31. Selected applicants should be present for the entire duration of the program, rehearsals and the culminating Showcase. A minimal registration fee of 2,500 will be required for all accepted Writing Fellows.

For inquiries on the Virgin Labfest 19 Writing Fellowship Program, interested individuals can reach the CCP Artist Training Division via landline at 8832 1125 local 1605 or via email at ccp.vlfwfp@gmail.com. Monitor the official CCP website and social media accounts on Facebook for more details.

The National Commission for Culture and the Arts (NCCA) Gallery is currently running PG Zoluaga's "Habitat III" curated by Renato Habulan.

"Derived from the Latin word habitare, which means 'it inhabits,' habitat refers to the natural environment in which an organism or a population normally resides,"an excerpt from the exhibit's note said.

The gallery, despite housing several pieces, still appeared expansive. Various pieces are displayed on the walls; meanwhile, a combination of mixed media and installation served as the centerpiece of Habitat.

Predominantly employing shades of black, green, and red, the exhibit encapsulates PG Zoluaga's advocacy. Through his artistry, he aims to encourage the public to be more aware and prevent further habitat destruction caused by human intervention.

The ongoing conflict in Gaza and covert extrajudicial killings serve as poignant ignition for Zoluaga's creation of the Red Habitat — the centerpiece in the exhibit.

Zoluaga harnesses the emotive power of art but emphasizes that its impact should transcend mere emotion.

In terms of technique, Zoluaga employs layering, meticulously applying one layer atop another to achieve the desired depth and richness of colors. The technique proved the artist's ingenuity in mastering a technique skillfully used to imply a metaphor where one must look beyond the visual aspects, inviting the audience to experience the depths of the pieces.

Habitat will run until April 30 at the Ground Floor of NCCA Building, 633 General Luna St., Intramuros, 1002 Manila. NCCA Gallery Hours are from Mondays to Thursdays, 9 a.m. to 6 p.m., Fridays and Saturdays, 9 a.m. to 3 p.m. For more information on the NCCA Gallery, call (+63 2) 8527 2192 or email gallery@ncca.gov.ph.

In celebration of World Book Day on April 20, Instituto Cervantes de Manila, the Embassy of Spain, Ayala Land and Make it Makati, held the all-day Día del Libro event at the Ayala Triangle Gardens.

Thousands of books, many of which were discounted, from different genres, were made available.

There were also poetry readings, book presentations, street art, exhibits and storytelling sessions for visitors.

Día del Libro had its roots in Barcelona, Spain. Each book purchase at the event comes with a free rose.

The tradition also commemorates a remarkable day in literature — the death of noted writers Miguel de Cervantes and William Shakespeare who both died on April 23, 1616. 

A Filipino is taking Hollywood by storm with her visionary direction. Isabel Sandoval, a New York-based filmmaker, has made waves not only in independent cinema but also in working with some of the best A-list stars in the global mainstream.

Sandoval's cinematic repertoire started with "Señorita" (2011), which she directed, wrote, and starred in. Although not out as transgender at the time, she has said the role helped her realize her identity. Her other works include "Aparisyon" (2012), starring noted actresses Jodi Sta Maria and Mylene Dizon, and "Lingua Franca" (2019), which was shot in Brooklyn, New York and where she was also part of the cast with Eamon Farren and Lynn Cohen.

In 2021, she directed "Shangri-La" as part of fashion brand Miu Miu's "Women's Tales Series," a commissioned collection of female-directed short films. Sandoval also helmed an episode of the American FX drama series "Under the Banner of Heaven" (2022), featuring Andrew Garfield.

While she is recognized today as a filmmaker on either side of the Pacific, Sandoval's journey into cinema was unconventional, to say the least.

Born and raised in Cebu, her love for cinema began in childhood. She recalled watching "Bata-Batuta" by the late Philippine Comedy King Dolphy with her mom, followed by classic afternoon television features like Ishmael Bernal's "Relasyon," "Himala," and "Manila by Night."

"I grew up with Philippine cinema, admiring Vilma Santos, Sharon Cuneta and Nora Aunor. As a kid, I remember buying comics that would later be adapted into movies. That was my entryway into other cinema [genres], like Wong Kar-wai and Pedro Almodóvar. My tastes diversified, helping me develop my craft," Sandoval told The Sunday Times Magazine during her latest visit to Manila.

Despite her passion for films, Sandoval initially pursued a different path in college, earning a Bachelor's Degree in Psychology and briefly working in the corporate world.

"I went to the University of San Carlos [in Cebu] and graduated Summa Cum Laude. I worked for [the multinational goods company] Unilever as a management trainee for a year but decided to pursue graduate school in New York. [But again] I didn't attend film school; I have a graduate degree in Business from New York University," revealed Sandoval.

"But ever since I was a kid, I've been passionate about filmmaking. A part of my family and I didn't see filmmaking as a viable career, though, especially as an immigrant abroad. So, I studied Business, always with the thought of eventually making movies. That's why I moved to New York in 2005 [in the first place]," she added.

Now rolling!

Sandoval's heart remained devoted to cinema despite excelling in other fields. And even without film school, her creative spirit and love for storytelling only grew stronger.

Still full of hope she would thrive when she finally shifts to filmmaking, Sandoval explained, "When you study under a certain film school teacher — no offense — you tend to absorb their tastes and style, often excluding Filipinos from the list of greatest filmmakers. I didn't want to restrict my development that way. I wanted to explore on my own, not adhering to specific rules or conventions."

And when she did, she continued, "That freedom allowed me to make the films I wanted. Breaking or not following rules led to unique films different from the norm."

In time, Sandoval carved out her place as a director, writer, and actress, collaborating with award-winning creatives and artists in Hollywood.

"Andrew Garfield was nominated for an Emmy Award for Best Actor for 'Under the Banner of Heaven.' The final scene in the episode I directed, where he has an emotional breakdown in his car, is one of the most talked-about in the series," she recalled with humble pride.

"Then I directed two more series in Hollywood, 'Tell Me Lies' on Hulu and 'The Summer I Turned Pretty' on Amazon, one of their biggest TV streaming series last year. But my entry to Hollywood was mainly through my last film, 'Lingua Franca,' which premiered at the Venice Film Festival and did well internationally," she added.

Reflecting on her journey, Sandoval acknowledges the challenges of navigating Hollywood's intricate landscape.

"I initially felt more daunted than I should have. I believe we are just as talented as most of these people. I want to continue to show what Filipino talents are capable of, but we lack opportunities. [With this latest development in my career], I hope to keep the door open for more people," she averred.

When asked about the difference between working in the Philippines and Hollywood, Sandoval was very objective, explaining, "The development process is longer in Hollywood, especially when trying to attach A-listers to your project due to the bureaucracy. You have to approach their agents, even when you already have Academy Award-winning talent attached [to the project]. So, the development process is trickier in that sense, even when you're already in the industry.

"Secondly, the hours are more reasonable. Guilds like the Actor's Guild, Director's Guild, and Writer's Guild have set shoot days, especially now after the [2023 industry] strike, more protections are in place for the industry," she continued.

"But I'm adapting. I think I'm an efficient director on set, showing up knowing exactly how I want the scene to play out and the shots I want. Ever since I was a kid, I expressed myself creatively by imagining scenes I would mentally cut together. I started out as a 'film editor' as a child, which led me to want to direct and write."

Homecomings

Amid Hollywood's glitz and glamour, Sandoval remains grounded in her heritage and always advocates more significant opportunities for Filipino talent on the global stage.

This longing for home finds fruition in "Moonglow," Sandoval's upcoming film intentionally set in the Philippines for international release. A collaboration with award-winning actor Arjo Atayde and producers Alemberg Ang and Nathan Studios, Sandoval's vision for "Moonglow" transcends the boundaries of genre, blending elements of noir crime thriller with a poetic sensibility uniquely her own.

"I wrote it, I'm directing it, acting in it, and I'm cutting the film as well. This is something that I've done before in my previous film' Lingua Franca,' and my very first film 'Señorita,' which I also shot here in the Philippines," shared Sandoval.

"Moonglow's" story follows a jaded female police detective who breaks into the mansion of the corrupt police chief she works for and steals a large sum of money accrued from graft and corruption. Enraged, the police chief enlists his nephew Charlie, played by Atayde, to get to the bottom of the case and find out who stole from him.

"It feels like a standard Philippine noir crime thriller genre film, but that's just the premise. I think it blossoms into something more lyrical, poetic, and more in my style. After directing three films, my style is really a blend of strong political themes with a visual style that's more lush, lyrical, and poetic," she described.

"Think of Wong Kar Wai's 'In the Mood for Love.' It's like me doing a 'Casablanca,' a classic noir from the '40s in the style of Wong Kar Wai. I'm really excited to do it because 'Moonglow' is my most ambitious and radical film in terms of style and theme," Sandoval enthused.

The avant-garde director recalled she was all set to do "Moonglow" when the Hollywood strike began, prompting her to turn her sights to the Philippines and get going with a project she is so passionate about.

"I was busy with development and a few projects in Hollywood around May last year, and then the strike happened. At first, it was the Writers' Strike in May, and then by July, it was the Actors' Strike, meaning all productions in Hollywood shut down. I thought, 'Before I get swamped with all the projects I have coming up here in the US, why don't I do a project in the Philippines that I'm so excited about?'" she recalled.

"I didn't want to work on a TV series because that would take a long time [here at home]. [But, I was sure] I wanted to do a noir film because, with my first three films, I've been fascinated with the idea of shadow and light, characters with secrets. I've been drawn towards the noir genre throughout my films, and that's how the premise for 'Moonglow' came together," she continued.

Sandoval titled her movie "Moonglow" because the word precisely evokes the mood, atmosphere, and tone she wants to create and capture.

There are many well-known and iconic noirs in Hollywood, such as 'Double Indemnity,' 'Casablanca,' and, of course, the masterpieces by Erik Matti in the Philippines like "On The Job" and "BuyBust." They are often bleak, dark, and gritty. And while Sandoval envisions "Moonglow" to acknowledge it is set in that milieu, she still intends to infuse it with some hope, optimism, and romanticism.

"It's my way of looking at the world. I don't think of people as irredeemably evil, or that reality is hopeless and utterly bleak. I find glimmers of hope, magic, romance, and poetry amid all the bleakness," Sandoval continued.

The director furthered she is choosing between the 1960's and '70s as the movie's timeline.

"One reason is because of how interesting, chic, and artsy the production design, art direction, and fashion could be, which we haven't seen in Philippine cinema in a while – except for the classics from the '70s and '80s by Mike De Leon, etc. I want to return to that era and show Filipino characters as stylish, chic, and fashionable in this noir thriller story," she added.

With filming finally underway, the team hopes to finish "Moonglow" and submit it to the Venice Film Festival in August.

Again, the movie's ultimate goal is to help elevate Philippine cinema and its talents on the world stage.

"For this film, I first approached Alem about it, and he came on board quickly. We thought of who would be great for the character of the male protagonist Charlie in the film, and he suggested Arjo. That's how the conversation about getting Arjo and Nathan Studios into the project started," she said.

"I met Arjo at the Locarno Film Festival last August in Switzerland. His film 'Topak' premiered there, and I was on the jury at the festival. We had a great conversation, not just about the project but also about what we want to accomplish for Philippine talents, especially abroad.

"I feel there has been a renaissance and resurgence of interest in Philippine cinema in the last few years. Dolly de Leon for 'Triangle of Sadness' broke through, 'Leonor Will Never Die' did well at Sundance and was even nominated for an Independent Spirit Award.

"Also, my work has been recognized in Hollywood. I got representation with Creative Artist Agency. Many people are looking out for me there. I want to pay this opportunity forward to Filipino talent that I think is extraordinary and world-class. What better time than now and what better project than 'Moonglow,'" Sandoval expressed.

Besides Atayde, Agot Isidro and Carlito Siguion Reyna will star in "Moonglow."

Finally asked what kind of director she wants to be known for eventually, Sandoval was quick to share that she would like to be known as a calm and supportive director for her actors.

"I don't like to overcorrect or micromanage my actors. When casting, I choose actors I believe can do the job and understand the nuances of the character," she said.

"If you give actors the trust they deserve, they will step up and prove their talent," she noted. "In terms of style, I want to be known for sensual cinema. It's not about explicit content, but about transforming a gritty or grimy image into something sublime."

Finally, talking about the importance of regularly returning to the Philippines despite her promising Hollywood career, Sandoval emotionally replied, "As they say, you can take the girl out of the Philippines, but you can't take the Philippines out of the girl. I became who I am growing up here. I'm an intuitive filmmaker. I don't just do a project for the paycheck. I commit myself to projects that I'm passionate about, or that my gut tells me I have to do. That's why we're here now."

After a successful run of "Do What I Want's" first documentary, the team is now gearing up for its second documentary, "Do What I Want: Spin Off Edition." The team behind this is focused on going beyond storytelling to create a space of empowerment and inspiration for the Asian-American community.

The documentary explores the paths of emerging Asian American DJs, highlighting their talent, determination, and the meaningful influence they bring to the music and nightlife scene. The release of the documentary will be followed by a "Do What I Want Tour" that will give the subject of the film a chance to showcase their skills and talents at select clubs across Southern California. It will be a platform for them to connect with their audience and leave a lasting impression on the nightlife scene. This upcoming documentary features Seduza, MAZD, Athena, Jakob Mesina, BRKN, WAY2PAC, and JEY. The film is aimed to premiere on April 26.

JFERRER, the young creative behind "Do What I Want," is a 22-year-old full time college student who was introduced to the creative industry in 2020 as an editor for music videos. This path led him to explore video advertisem*nt creation, creative direction, and producing and promoting live nightlife events. JFERRER is committed to empowering Asians and Asian Americans to pursue their creative dreams, even in the face of skepticism. His upcoming documentary project aims to inspire others to confidently follow their artistic passions.

Thought Junkie: How did your life change since your first endeavor?

JFERRER: The first documentary served as the blueprint for a grander vision. It was my initial dive into a significant project, leading a team of inspiring and dedicated creatives. As a newcomer, I faced a learning curve, adapting to new directing techniques and branding strategies along the way. The debut of the documentary garnered widespread support, from expanding beyond local recognition to a nationwide audience. This positive reception spurred me to pursue another project, aiming to surpass my previous efforts.

Venturing beyond the confines of traditional storytelling, I envisioned immersive "Do What I Want" events, offering audiences an interactive experience. Additionally, I sought to elevate the project's impact through an original soundtrack, collaborating with emerging Asian American talents to amplify their voices. Each step forward fueled my passion and commitment to pushing boundaries, transforming my aspirations into reality.

What are the favorite moments of your career so far?

Some of the most fulfilling moments in my career don't come from reaching the end goal of a project, but from the journey itself. Embracing the process has taught me invaluable lessons in adaptability, finding new solutions when the original plan veers off course. It's been eye-opening to witness firsthand what works and what doesn't, allowing me to continuously refine my approach.

Another highlight has been collaborating with up-and-coming creatives who share my passion. I'm not drawn to working with the "already established." Instead, I find joy in partnering with individuals who are driven to excel. Watching their growth from start to finish is immensely rewarding. Their ability to adapt to various challenges inspires me to do the same, creating a spirit of continuous improvement in both myself and those around me.

How do you elevate Filipino champions through this endeavor?

I am committed to continuing to inspire the Filipino community with a simple message: 'Do what you want.' I aim to demonstrate that there are no limitations imposed on individuals based on others' perceptions. With passion and self-belief, creative possibilities are boundless. I aspire to serve as a living example that a young Filipino American can achieve their dreams and make them a reality. By embracing this mindset, I hope to empower others to pursue their passions fearlessly and break through any barriers they may encounter.

As with any popular form of entertainment, myths and misconceptions about gambling abound, some of which are spun by gambling patrons themselves. After all, gambling mainly involves games of chance, where little more than pure luck comes into play. However, some players are out there to make a fortune from gambling and some simply engage in it for fun and excitement. Whatever their reasons are, players must know what they're getting tinto.

Committed to responsible gaming, DigiPlus Interactive Corp. is resolute about banishing falsehoods or otherwise misleading concepts about digital gaming. Through full disclosure, DigiPlus hopes to create a customer base of enthusiastic gamers just out to have a good time.

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For this reason, DigiPlus games may be enjoyed by players from a wide range of economic backgrounds. Everyone can win or lose. As long as gamers have a reasonable and responsible attitude towards gaming, they stand to enjoy the thrill and excitement promised on these apps.

Myth 4: One can be very good at gambling. The truth: Players must be aware that the games offered on DigiPlus apps come in two categories: games of skill and games of chance. It's important to know which is which before playing their bets on these apps.

Games like Tong-its or Poker, for example, are games of skill that require an understanding of strategy and probability, which can be learned and studied. The sooner one knows the ins and outs of these games, the more proficient they can be.

However, a large number of the games on these apps are strictly games of chance. There is no such thing as a "winning strategy." In these games, one's odds reset at each instance of play.

Understanding the difference between games of skill and games of chance will allow one to develop a more responsible gaming habit.

Myth 5: Digital gaming isn't addictive. The truth: Irresponsible gaming can lead to addiction that has severe psychological and financial effects on players. This is why DigiPlus encourages all gamers to practice a few basic tenets of responsible gaming.

The first and most important thing to remember is that there is never any guarantee of a win or financial gain from digital gaming. This should never be considered as a source of income, but rather as a source of fun and entertainment. Users should only bet money that they can afford to lose.

Furthermore, it would be best for all users to consider money spent on digital gaming as lost; money gained from wins may therefore be deemed as just a bonus.

Globe Business seeks to forge a path for women to break barriers, uplift others, and achieve their business goals.

Today, women are faced with numerous challenges including limited access to resources and mentorship, while balancing their professional and personal lives. Globe Business helps women hurdle these challenges by providing innovative solutions and upskilling opportunities to unlock their full business potential.

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Recognizing Pinay business innovators. For the second year, they have shone the spotlight on exceptional Pinay business leaders who have effectively driven their companies' digital transformation with the support of Globe's business solutions.

Globe Business honored Lorelie Quiambao-Osial, president and CEO of Pilipinas Shell, and Kathrina David, supply chain management director at Shakey's Pizza Asia Ventures, Inc, at an awards dinner by Cosmopolitan Philippines. Both Quiambao-Osial and David have successfully used technology and innovative strategies in their respective industries.

Purposeful collaborations to empower Filipina entrepreneurs. Globe Business has also been a steady companion of Pinaypreneurs, supporting them through strategic partnerships with business organizations and engaging them in various activities. In collaboration with the Women's Business Council of the Philippines, Globe Business launched its first women-only mentorship program, "She Thrives." This peer-to-peer platform brought together women C-suite officers and aspiring Pinaypreneurs to engage in meaningful conversations to uplift, inspire, and learn from each other.

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Globe Business is committed to fostering innovation, promoting digital transformation, and supporting the success of women-led enterprises.

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